AustLit

'Bluestocking Sophia Green’s future is uncertain. Orphaned as a child and raised by the wealthy Cappleman family, she has become the companion to her attractive younger cousin, Laura, while harboring to her breast an unrequited love for Laura’s diffident brother.

'Sea captain Kit Hardacre’s past is a mystery – even to him. Kidnapped by Barbary Coast pirates at the age of 10, he does not remember his parents or even his real name. All he recalls are things he would rather forget.

'When Laura’s reputation is threatened by a scandal, Sophia suggests weathering the storm in Sicily with their elderly uncle, a prominent archaeologist.

'Their passage to Palermo is aboard Hardacre’s ship, but the Calliope, like its captain, is not all it seems. Both have only one mission – to rid the world of the evil pirate slaver Kaddouri or die in the attempt.

'Initially disdainful of the captain’s devil-may-care attitude, Sophia can’t deny a growing attraction. And Kit begins to see in her a woman who could help him forget the horrors of his past.

'Sophia allows herself to be drawn into the shallows of Kit’s world, but when the naive misjudgment of her cousins sees Laura abducted, Sophia is dragged into dangerous depths that could cost her life or her sanity in a living hell.'

Source: Publisher's blurb.

'Heav’n has no Rage like Love to Hatred turn’d, 
'Nor Hell a Fury like a Mother scorn’d.

'Rescued after two years as a concubine in an Ottoman harem, former debutante Laura Cappleman faces a difficult journey back to normal life. As she travels to Palermo aboard Kit Hardacre’s ship, the Calliope, she is deeply traumatized – and pregnant by her kidnapper.

'Laura rejects the emotional support of her long-time admirer, Calliope First Officer Elias Nash, and her cousin, Sophia, Kit’s wife. She withdraws into herself and her art. Finally, after giving birth, she decides to return to London, hoping to erase tormented memories.

'Emir Selim Omar died on the day of Laura’s rescue, but his wickedness lives on in his third wife, Rabia, in whose household Laura was held. The ruthless widow may yet hold on to the power she wielded as mother to the Emir’s only male heir. However, as opportunists begin to pick his empire apart, her child dies.

'When Rabia learns Laura has given birth to a boy, the solution is obvious – the concubine is stolen property and so is the child sired by her late husband.

'She will take the boy and kill anyone in the way.

'As Rabia’s assassins close in, Elias – both embraced and rejected by the damaged woman he loves, uncertain she will ever return, and alone in Palermo with the child he has given his name – must take the battle to the enemy.

'Otherwise, there may be nothing for Laura to come home to.'

Source : publisher's blurb

'The Past Casts a Shadow Over a Second Chance For Love….

'Palermo, 1810

'Morwena Gambino is struggling to keep her family’s business going against mounting troubles. Her widowed father, once shrewd, is now increasingly forgetful, letting debts mount and disavowing his sons. Morwena runs the shop behind his back, forced to hide her enterprise not only from her father but also her bitter older brother.

'In Tunisia, Tewodros “Jonathan” Afua is struggling to stay alive. Once an Ethiopian prince, he is a captive of the corsairs who slaughtered his wife and children. When a US naval bombardment provides an opening for escape, Jonathan falls in with a seemingly deranged English pirate. Aboard Kit Hardacre’s rundown ship with its ragtag crew, Jonathan learns the real reason he was taken by slavers.

'Reluctantly joining Hardacre’s crew, he meets Morwena in Palermo. The fiery young Sicilian woman is the opposite of his quiet reserve, but he is attracted to her despite mourning for his late wife. As he and Morwena grow closer, it emerges that they have something in common – secret betrayal by those close to them – and they must count what they’re willing to risk for a future together.

Source : publisher's blurb