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Gail Crimmins Gail Crimmins i(11180207 works by)
Gender: Female
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Works By

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1 Collaborative Writing ‘Betwixt and Between’ Sits Jaggedly against Traditional Regimes of Authorship Gail Crimmins , Ali Black , Janice K Jones , Sarah Loch , Julianne Impiccini , 2018 single work criticism
— Appears in: TEXT : Journal of Writing and Writing Courses , April vol. 22 no. 1 2018;

'In the context of academic financialisation where writing is ‘repurposed’ as an outcome designed to maximise financial profit, and to resist the pressure to be ‘careless’ (Lynch 2010) ‘ideal functionaries’ (Pereira 2012), we – a group of five women academics – come together to share stories of our accrued wisdom about living in the afternoon of our lives. We also share our creative writing and theorising about collaborative writing processes in papers, chapters, and conference presentations. As we do so, we encounter a conflict between our practice of inter-personal collaboration and the traditions and pressures of academic authorship where we are expected to publish in a vertical hierarchy of

(first author, 
nameless et al.s, 
date).

We therefore reflect on the paradoxes and tensions involved in collaborative writing within the academy. In particular, we explore how co-operative practice congruent with the philosophical framework of new materialism sits jaggedly against an academic culture of individualism, surveillance, audit, and the pressure for academics to (be seen to) publish. We offer no conclusion or easy resolution, but like Socratic ‘gadflies’ we seek to trouble the structural impediments to collaborative writing in the academy.'  (Publication abstract)

1 An Emotional, Physical and Humanistic Response to Performed Data Gail Crimmins , 2017 single work criticism
— Appears in: TEXT Special Issue Website Series , no. 38 2017;
'How we reach, engage with, and inform/transform our research audience depends on the medium of communication we employ. This article demonstrates that theatrically performed narrative data can humanise an audience’s engagement and response to research data and encourage personal change. In particular, it discusses how verbatim theatre was used to share the stories of women casual academics in Australia, and describes an emotional, fully embodied, and humanistic response from the audience. The reaction of the audience, a professional gathering of scholars (Denzin 2000), reveals that the dramatic re-presentation of narrative data can act as a voice for Others ‘yet to be voiced’ (Arnot and Reay 2007) and prompt reflection, and the possibility of personal change. Therefore, if the communication medium we employ is integral to the reach and impact of our research, it should be central to our research planning and practice and not consigned to a post-research dissemination phase.' (Introduction)
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