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Issue Details: First known date: 2014... 2014 Reimagining the Wheel : The Implications of Cultural Diversity for Mainstream Theatre Programming in Australia
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AbstractHistoryArchive Description

'Profound demographic shifts in Australia's population are raising fundamental questions about how we reimagine the practices of our mainstream cultural institutions. The ability and the willingness of these institutions to reconceptualize their work in ways that encompass a diversity of traditions and tastes are critical. The paper draws on Pierre Bourdieu's notions of distinctions and taste to examine the influence of cultural identification on the choices that young people make about attending live theatre. The paper includes findings from a large Australian study, TheatreSpace, which examined why young people chose to engage or not to engage with theatre. In New South Wales nearly 40 per cent of the 726 young participants spoke a language other than English at home. Most were attending with their schools, many with no history of family attendance. This paper highlights significant issues about cultural relevance, accessibility and the often unintended challenges and confrontations that theatre can present to young first-generation Australians.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Theatre Research International vol. 39 no. 2 July 2014 10713111 2014 periodical issue

    'As I read these articles over, I am struck yet again at how many connections I find among them. I have come to think of this issue of Theatre Research International as the unintended special issue. But special issue on what? Overall, I think that taken together the articles are a primer on the challenges, possibilities and imperatives of representing globalization in live performance. But there are other connections as well. The economics and geopolitics of neoliberalism undergird all four explorations, especially as they provoke human migration and upend traditional arts-funding paradigms. What exactly constitutes ‘local’ is also very much an open question for all the authors. Whether it is because the performances are perceived as ‘from here’ or ‘from away’, or because the audiences and the artists do not share a common nation, local is revealed as a very unstable concept.' (Canning, Charlotte; Editorial introduction)

    2014
    pg. 133-148
Last amended 9 Feb 2017 13:08:10
133-148 Reimagining the Wheel : The Implications of Cultural Diversity for Mainstream Theatre Programming in Australiasmall AustLit logo Theatre Research International
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