AustLit
Latest Issues
AbstractHistoryArchive Description
'A Flea in Her Ear is world-renowned as the funniest and most famous of all the funny, famous French farces. It's beautiful to look at, perfectly formed in its comic timing, and completely bonkers.
'French writer Georges Feydeau - the inspiration for modern comedies from Fawlty Towers to Noises Off - penned this masterpiece in 1907. Andrew Upton's revival wraps all the lust, unconsummated infidelities and breathless chases of the original into a fresh whirlwind of saucy hilarity.
'We're in Paris, 1908. After years of married bliss, Madame Raymonde Chandebise suspects her husband is having an affair. In an effort to catch him in the act at the notoriously seedy Snatch Time hotel, she causes a lot more trouble than she bargained for.
'Spiralling into a high-octane storm of sexual intrigue, mistaken identities and bed-revolving mayhem, a cavalcade of characters get in on the act. Some want sex and revenge, several want to preserve their honour. All want to avoid being shot. Nobody gets any sleep. And you will laugh out loud.
' Award-winning director Simon Phillips ( Rosencrantz and Guildenstern are Dead ) is in his element orchestrating the antics with elegance and precision. Reuniting with his frequent collaborator, designer Gabriela Tylesova, these two giants of Australian theatre bring a visionary spectacle to Sydney Opera House this summer. '
Production Details
-
World premiere at the Drama Theatre, Sydney Opera House: 31 October - 17 December 2016.
Director Simon Phillips
Designer Gabriela Tylesova
Lighting Designer Nick Schlieper
With
Helen Christinson, Harriet Dyer, Leon Ford, Sean O’Shea, Justin Smith, David Woods
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Farce Rollicks with a Bangin' Vibe
2016
single work
review
— Appears in: The Sydney Morning Herald , 7 November 2016; (p. 22)
— Review of A Flea in Her Ear 2016 single work drama -
In a Farce of Its Own
2016
single work
review
— Appears in: The Australian , 7 November 2016; (p. 14)
— Review of A Flea in Her Ear 2016 single work drama -
Farce Still Reaps Laughs in Our Monstrous Times
2016
single work
column
— Appears in: The Australian , 4 November 2016; (p. 16) -
Andrew Upton and Simon Phillips on Farce, Mamet and What's Next for Sydney Theatre Company
2016
single work
review
— Appears in: The Guardian Australia , 1 November 2016;
— Review of A Flea in Her Ear 2016 single work drama
-
Andrew Upton and Simon Phillips on Farce, Mamet and What's Next for Sydney Theatre Company
2016
single work
review
— Appears in: The Guardian Australia , 1 November 2016;
— Review of A Flea in Her Ear 2016 single work drama -
In a Farce of Its Own
2016
single work
review
— Appears in: The Australian , 7 November 2016; (p. 14)
— Review of A Flea in Her Ear 2016 single work drama -
Farce Rollicks with a Bangin' Vibe
2016
single work
review
— Appears in: The Sydney Morning Herald , 7 November 2016; (p. 22)
— Review of A Flea in Her Ear 2016 single work drama -
Farce Still Reaps Laughs in Our Monstrous Times
2016
single work
column
— Appears in: The Australian , 4 November 2016; (p. 16)
-
Paris,
cFrance,cWestern Europe, Europe,
- 1908