'Like a smack in the face. That’s how I’d describe it.
'On the precipice of something life changing, a young Palawa man plunges into an exploration of self and Country.
'Carried with the winds of a metaphysical Flinders Island, the land of his mob and the place where it all happened, he is drawn back to the dawn of colonization. To a woman who bore the brunt of the oppressors’ violence and then forward to her granddaughter, who buried the truth as a means of survival. Stirring up stories together, with parts both achingly sad and unexpectedly funny, what unfolds reveals by slow degrees painful but important truths.'
Source: Publisher's blurb.
'Wonnangatta Station, 1918. Two men arrive at a dark and empty farmhouse looking for the manager, their friend Jim Barclay. No one’s heard from him for more than a month. Something’s amiss. Then a grim discovery sets the men off on a journey across the harsh Australian terrain, looking for answers, maybe for revenge.'
Source: Sydney Theatre Company.
'On the banks of the Georges River, Radha and her son Siddhartha release the ashes of Radha’s mother – their final connection to the past, to Sri Lanka and its struggles. Now they are free to embrace their lives in Australia. Then a phone call from Colombo brings the past spinning back to life, and we are plunged into an epic story of love and political strife, of home and exile, of parents and children
'Counting and Cracking is a big new play about Australia like none we’ve seen before. This is life on a large canvas, so we are leaving Belvoir St and building a Sri Lankan town hall inside Sydney Town Hall. Sixteen actors play four generations of a family, from Colombo to Pendle Hill, in a story about Australia as a land of refuge, about Sri Lanka’s efforts to remain united, about reconciliation within families, across countries, across generations.'
Source: Belvoir St Theatre.
'Anna is coming of age. Possibilities are unfurling in front of her and she’s ready to take control. But her mother’s been standing guard all these years, taking care, editing the choices.
'When Anna makes a decision that could affect the rest of her life, can Renee stand by and watch?'
Source: Royal Exchange Theatre.
'Rice explores the business of global food production, namely rice, and women in business. There are two main characters. The central character is Nisha. She’s 28, a young and precocious corporate hotshot working as the Executive Officer of Golden Fields, Australia’s biggest rice company. She’s a second generation Indian. Yvette is 61, Chinese; she’s a cleaner in the Golden Fields building. Golden Fields is in Melbourne; Nisha and Yvette play all the other characters.
'Nisha is close to sealing a confidential contract with the Indian government, which would see Golden Fields taking over India’s public food distribution systems – rice is a major staple distributed through this system. This secret contract is worth billions. When a flood in one of the southern states in India looks to distract the government and delay the deal, Nisha decides that she needs to go to India to finalise the contract in person, taking with her Graeme, the CEO, and Tom, the marketing manager that Nisha has romantic feelings for.
'Yvette’s daughter, Sheree, is facing charges for a protest that resulted in the assault of the CEO of Coles.'
Source: Author's website (http://www.michelevanlee.com.au/current-projects/rice/) (Sighted: 12/07/2016)