AustLit logo

AustLit

Rodney Seaborn Playwrights' Award (2000-)
Subcategory of Awards Australian Awards
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

History

The Rodney Seaborn Playwrights Award provides financial assistance for playwrights during the writing or development of a play or a project. 

Notes

  • This is an annual award to encourage those working in the performing arts to develop works which convey an awareness or message of faith, hope and love.
  • Not given in 2001.

Latest Winners / Recipients

Year: 2023

winner Maxine Mellor for 'O'Mighty Make-Believe'.

Year: 2022

Year: 2021

winner Steve Rodgers for 'The Future is History'.

Year: 2020

winner Way Back When Dylan Van Den Berg , 2019 single work drama

'way back when, set in a fictional post-colonial Tasmania, sees Ghost, a take-no-nonsense apparition, set the scene for the meeting of an unlikely trio of three women. To pass the time (and forget the cold), they re-imagine the colonisation of Tasmania as a Gothic revenge drama. There’s comedy, a play-within-a-play and, as their connection to each other strengthens, revelations of personal traumas which steadily undermine the fervour of their collective revisionism.'

Source: Griffin Theatre.

Year: 2019

winner y separately published work icon Orange Thrower Kirsty Marillier , 2021 Strawberry Hills : Currency Press , 2022 20801035 2021 single work drama

'It’s one of those suburbs where the houses all match, the gardens all match, the cars, the dogs, and the people all match. But in the stucco sprawl of Paradise, the Petersen family don’t quite match.

'While her folks are back in Johannesburg, Zadie is holding the family fort. This means keeping her little sis away from bush doofs—and smiling when her nice white neighbours try to touch her hair.

'Then, in the middle of the night, someone starts pelting their house with oranges. Just once. Then twice. Then night after night after night. Maybe it’s nothing. Or maybe someone in Paradise wants them out.'

Source: Griffin Theatre Company.

Works About this Award

Prize for Play of Love Harriet Alexander , 2005 single work column
— Appears in: The Sydney Morning Herald , 2 December 2005; (p. 18)
X