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Mark Carroll Mark Carroll i(A99342 works by)
Gender: Male
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Works By

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1 y separately published work icon Beyond the Stage : Creative Australian Stories from the Great War Anna Goldsworthy (editor), Mark Carroll (editor), Kent Town : Wakefield Press , 2020 18853929 2020 anthology short story prose essay 'In the beautifully illustrated Beyond the Stage, essays by leading Australian artists and academics examine the impact of the Great War and its aftermath on creativity and performance in South Australia. There are historical studies of key individuals, such as Adelaide’s Telsie Hague, and the role of women performers as fundraisers and active agents of wartime patriotism. The contribution of artistic companies, such as the Adelaide Symphony Orchestra, State Opera of South Australia and State Theatre Company, is examined. Steve Vizard dissects the preposterously unlikely – and highly entertaining – encounter between Sir Lawrence Olivier and Mo (aka Roy Rene), helping the reader explore Australian national identity after the Great War.'   (Publication summary)
1 2 y separately published work icon Self-Portrait of Percy Grainger Percy Grainger , Malcolm Gillies (editor), David Pear (editor), Mark Carroll (editor), Oxford : Oxford University Press , 2006 Z1317199 2006 single work autobiography Shortly before his death, Percy Grainger lodged over twenty unpublished sketches in his Australian museum. This book draws exclusively from these sketches, revealing a portrait of the composer's life. With such titles as 'The Aldridge-Grainger-Stroom saga', 'Thanks', 'Ere-I-forget', 'The love-life of Helen and Paris' , and 'Anecdotes', these manuscripts were intended as precursors to Grainger's autobiography, My Wretched Tone-life, which he commenced only in his final years. Expertly shaping these sketches, the editors have created a self-portrait along the lines that Grainger himself had intended. The volume first introduces Grainger's forebears, parents, friends, wife, and himself before moving on to his views on composition, performance, and the musical world. In these sketches, Grainger addresses such topics as racial and national identity, the meaning of work, physical culture, language reform, sexual practice, and artistic patronage. Grainger also probes the nature of musical genius, discussing a broad range of composers including Igor Stravinsky, Thomas Beecham, Frederick Delius, Edvard Grieg, Charles Stanford, Cyril Scott, Fritz Kreisler, Donald Tovey, Ferruccio Busoni, and Balfour Gardiner. Among the works of his own that Grainger most featured are his The Warriors - Music for an Imaginary Ballet, Colonial Song, the Lincolnshire Posy series of band pieces, his greatest 'hit' Country Gardens, and his many settings of English folk-music. (Book jacket)
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