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Wolfgang Kruger Wolfgang Kruger i(A86039 works by) (Organisation) assertion
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3 4 y separately published work icon Territory Territory : A Story of the Top End and the People Who Dare to Dwell There Judy Nunn , Milsons Point : Random House Australia , 2002 Z950299 2002 single work novel historical fiction `A story of disaster and depravity is told in alternating chapters with the story of the Galloway family, station owners, and the story of Darwin itself, from the day it was bombed by Japanese fighter planes during WW2 and nearly flattened, to the extraordinary Christmas Day in 1974 when Darwin was again devastated by 'fury from the sky': this time in the form of Cyclone Tracy. Following the course of a priceless 16th century locket and the fortunes of the Galloway clan, the author tells of disaster, courage and passion and that top end spirit that never says die. (LA)
7 158 y separately published work icon Cloudstreet Tim Winton , Melbourne : McPhee Gribble , 1991 Z204365 1991 single work novel (taught in 16 units) 'From separate catastrophes two rural families flee to the city and find themselves sharing a great, breathing, shuddering joint called Cloudstreet, where they begin their lives again from scratch. For twenty years they roister and rankle, laugh and curse until the roof over their heads becomes a home for their hearts.' (Source: Publisher's website)
11 65 y separately published work icon The Riders Tim Winton , Chippendale : Pan Macmillan Australia , 1994 Z295967 1994 single work novel (taught in 3 units)

Fred Scully is in another country, a 'desert Irishman' far from home. After two long years of travelling through Europe, he decided to move his family from Australia to western Ireland. Scully arrived weeks ahead of his family to renovate the old farmhouse they'd bought in the shadow of a castle in County Offally, and which he's renovated by hand. Now, at the gate of Shannon's international airport, he anxiously awaits the arrival of his pregnant wife and seven-year-old daughter, envisioning a new life ahead, a fresh start. He has waited for and worried about this for months. He is a man who does not like being alone. The plane lands, the glass doors to the terminal slide open and his daughter emerges. Alone. There is no note, no word of explanation from his wife, only the mute silence of his stunned child. In an instant, Scully's life goes down in flames. This is a story of a marriage in our time. So begins a love-crazed odyssey across Europe, to the underside of the male psyche, in search of a woman vanished.

(Adapted from Trove)
8 y separately published work icon The File on Devlin Catherine Gaskin , London : Collins , 1965 Z1049083 1965 single work novel When a Nobel Prize-winning author vanishes while travelling near the Russian border his daughter finds herself entrusted with the unfinished book he was working on before his trip. She subsequently become embroiled in a power struggle over the material with her estranged stepmother. Suspiciously befriended by a journalist in the midst of the crisis, the daughter ultimately learns that no one is to be trusted - as her father's work is of interest to the intelligence departments of several countries.
13 2 y separately published work icon Sara Dane Catherine Gaskin , London : Collins , 1954 Z113793 1954 single work novel historical fiction

'Here is an unforgettable woman. A woman as strong and as beautiful as the raw new country she helps to carve from the wilderness. A woman of fierce pride, yet gently devoted to her children, and possessed with an undying vision about the future of her land, Sara Dane epitomizes the heart of her untamed country - Australia.

'Set in the colorful days of the late Eighteenth and the early Nineteenth Centuries, Sara Dane unfolds the history of New South Wales, from its beginnings as a penal colony to the day when it could lift its head in contentment and peace.

'From the day in 1792 when young Sara, savagely sentenced in England to transportation on a trumped-up charge, came ashore at Botany Bay, until the day she returns triumphantly wealthy and prominent to her native London, her story rings with the fire of a great passion.

'Sara's story is also the story of the men who loved her - Richard Barwell, her childhood love who possessiveness followed her thousands of miles; Andrew Maclay, whose strength and cunning combined with hers to produce an empire; Jeremy Hogan, the Irish rebel, whose presence meant security as Sara faced the crises of convict outbreaks, giant floods, and armed rebellion with resolution. And then there was Louis de Bourget, the mysterious French emigre' whose love for her beauty and order brought a peace to Sara's life she had thought impossible.

'But throughout her life, Sara held to her own personality tenaciously. All of Sydney knew her as a shrewd business-woman, magnificent, unconventional - but above all, a woman. ' (Publication summary)
3 4 y separately published work icon Call Me When the Cross Turns Over D'Arcy Niland , Sydney : Angus and Robertson , 1957 Z92489 1957 single work novel 'The Cross that turns over is the Southern Cross, telling wanderers under the vast skies of Australia of the passing of night and the coming of dawn. This is the story of one of these wanderers, Barbie Cazabon, who finds herself, in her early twenties, left alone by the death of her father. Knowing no background but the rough, knockabout existence she has shared with him, she has to make her own way and build a life for herself out of loneliness.' (Source: 1957 edition)
15 17 y separately published work icon The Shiralee D'Arcy Niland , London Sydney : Angus and Robertson , 1955 Z248011 1955 single work novel
— Appears in: Reader's Digest Condensed Books 1973; 'Probably no swagman, in life or in fiction, ever had such a strange companion on his wanderings as has Macauley, the central character in D'Arcy Niland's first novel, who tramps through the back towns of New South Wales accompanied by his daughter Buster. Buster, four-year-old bundle of loyalty and fortitude, combines these more adult qualities with a natural childishness...Buster is no joy to Macauley, and he treats her with an uncompromising firmness: she must go on walking when she is nearly exhausted, must stop chattering when he wants to be quiet, must not complain. But Macauley has, too, a certain grudging affection for her, and this affection develops until it is so threatened by circumstances that it must at last be openly admitted.' (Source: dustjacket, 1955 Angus and Robertson edition)
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