AustLit

'Ann-Marie Priest’s My Tongue Is My Own, published by La Trobe University Press and reviewed in our June issue, is the first authorised biography of the Australian poet Gwen Harwood (1920–1995). Unsurprisingly, this was not the first attempt to record the life of one of Australia’s most loved and admired poets. In an exclusive feature for ABR, John Harwood reflects on the conflicting motives behind his literary executorship of his mother’s estate – an estate holding the secrets to an at-times fractious marriage between two opposing temperaments.

'It’s a candid, fascinating addition to the vast literature surrounding Ian Hamilton’s Keepers of the Flame (1992) and the knotty ethics of literary biography.

'John Harwood has written poetry, fiction, biography, environmental journalism, literary criticism, and satire. His novels The Ghost Writer (2004), The Séance (2008), and The Asylum (2012) have been translated into several languages and won several awards. 

'This commentary is generously supported by the Copyright Agency’s Cultural Fund.' (Production summary)

'When Ann-Marie Priest wrote to me in 2015 asking whether she might talk to me about her proposed biography of my mother, and requesting my permission to examine some correspondence in the Fryer Library, which I, as Gwen Harwood’s literary executor, had placed on restricted access, I replied with a terse refusal to cooperate. Since my mother’s death in December 1995, I had kept tight control of her vast correspondence, nearly all of which she had donated to various research libraries over the last two decades of her life, and I saw no reason to change my ways.'  (Introduction)

'Laura is sitting up late with her old friend Maurice, a poet, deeply engaged in discussion when he is moved to reveal the great tragic secret of his youth: the woman he loved was driven by financial need to marry a cruel man who isolated and tormented her and destroyed her writing, which in Maurice’s opinion was quite fine. At last, with her child’s death, Claire took her own life, leaving behind a manuscript, which was found scattered on the floor near her husband’s corpse as he lay with his face “frozen into an expression of indescribable terror, and entirely blanched, as if vitriol had been flung across the features.” This manuscript eventually came into Maurice’s possession, and it has haunted him ever since, although he has never been able to finish reading it.'

Source: Locus Magazine (www.locusmag.com/Reviews/2011/08/lois-tilton-reviews-short-fiction-late-august-2/). (Sighted: 30/11/2016)

'In this tantalizing tale of Victorian ghost stories and family secrets, timid, solitary librarian Gerard Freeman lives for just two things: his elusive pen pal Alice and a story he found hidden in his mother's drawer years ago. Written by his great-grandmother Viola, it hints at his mother's role in a sinister crime. As he discovers more of Viola's chilling tales, he realizes that they might hold the key to finding Alice and unveiling his family's mystery-or will they bring him the untimely death they seem to foretell?

'Harwood's astonishing, assured debut shows us just how dangerous family skeletons-and stories-can be.' (Publication summary)