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By permission of the author.
Linda Jaivin Linda Jaivin i(A32366 works by)
Born: Established: 1955 Connecticut,
c
United States of America (USA),
c
Americas,
;
Gender: Female
Arrived in Australia: 1986
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* AustLit's TAL data covers the period 2009-2016, with a small number of courses logged in 2008. Data for 2013 is estimated to cover only half of the eligible courses. Please use this data with caution and contact us if you plan to use it in research or analysis.

Details of Works Taught

Text Unit Name Institution Year
y separately published work icon Found in Translation : In Praise of a Plural World Linda Jaivin , Collingwood : Black Inc. , 2013 6718913 2013 single work criticism (taught in 1 units)

'Whether we’re aware of it or not, we spend much of our time in this globalised world in the act of translation. Language is a big part of it, of course, as anyone who has fumbled with a phrasebook in a foreign country will know, but behind language is something far more challenging to translate: culture. As a traveller, a mistranslation might land you a bowl of who-knows-what when you think you asked for noodles, and mistranslations in international politics can be a few steps from serious trouble. But translation is also a way of entering new and exciting worlds, and forging links that never before existed.

'Linda Jaivin has been translating from Chinese for more than thirty years. While her specialty is subtitles, she has also translated song lyrics, poetry and fiction, and interpreted for ABC film crews, Chinese artists and even the English singer Billy Bragg as he gave his take on socialism to some Beijing rockers. In Found in Translation she reveals the work of the translator and considers whether different worldviews can be bridged. She pays special attention to China and the English-speaking West, Australia in particular, but also discusses French, Japanese and even the odd phrase of Maori. This is a free-ranging essay, personal and informed, about translation in its narrowest and broadest senses, and the prism – occasionally prison – of culture.' (Publisher's blurb)

Creative Non-fiction Workshop University of Sydney 2014 (Semester 1)
Text Unit Name Institution Year
y separately published work icon The Infernal Optimist Linda Jaivin , Sydney : Fourth Estate , 2006 Z1263820 2006 single work novel humour (taught in 3 units)

'Capturing the voice of an Australia you haven't heard in fiction before ... Meet Zeke Togan, a small-time crim in big-time trouble. A quintessential Australian larrikin - whose biggest problem is that he isn't actually Australian. 19 year old Zeke was born in the Old Country but has been in Australia since he was six months old and considers himself as Aussie Aussie Aussie oi oi oi as the next bloke. But due to a mix-up at the naturalisation ceremony (Zeke was in the pub when the rest of his family were getting their certificates and sprigs of wattle) and some unfortunate brushes with the law, Zeke finds himself awaiting deportation from Sydney's Villawood Detention Centre. So Zeke finds himself locked up with the other crims, asylum seekers, sex slaves, illegal workers and visa overstayers. He loves Marlena, She Who Loves, Honours and Obeys Most a the Time Anyway, but he's having a hell of a time proving it from the wrong side of a double fence. His new friends the 'asylums' aren't doing so well either. Hamid loves Angel but she needs more than love. April thinks she loves Azad, but Azad thinks he loves April's daughter Marley. Thomas loves anyplace but where he is. Everyone loves freedom. Not everyone gets it. Everyone wants to survive. Not everyone will.' (Publication summary)

Writing Australia Queensland University of Technology 2009 (Semester 2)
y separately published work icon The Infernal Optimist Linda Jaivin , Sydney : Fourth Estate , 2006 Z1263820 2006 single work novel humour (taught in 3 units)

'Capturing the voice of an Australia you haven't heard in fiction before ... Meet Zeke Togan, a small-time crim in big-time trouble. A quintessential Australian larrikin - whose biggest problem is that he isn't actually Australian. 19 year old Zeke was born in the Old Country but has been in Australia since he was six months old and considers himself as Aussie Aussie Aussie oi oi oi as the next bloke. But due to a mix-up at the naturalisation ceremony (Zeke was in the pub when the rest of his family were getting their certificates and sprigs of wattle) and some unfortunate brushes with the law, Zeke finds himself awaiting deportation from Sydney's Villawood Detention Centre. So Zeke finds himself locked up with the other crims, asylum seekers, sex slaves, illegal workers and visa overstayers. He loves Marlena, She Who Loves, Honours and Obeys Most a the Time Anyway, but he's having a hell of a time proving it from the wrong side of a double fence. His new friends the 'asylums' aren't doing so well either. Hamid loves Angel but she needs more than love. April thinks she loves Azad, but Azad thinks he loves April's daughter Marley. Thomas loves anyplace but where he is. Everyone loves freedom. Not everyone gets it. Everyone wants to survive. Not everyone will.' (Publication summary)

Writing Australia Queensland University of Technology 2010 (Semester 2)
y separately published work icon The Infernal Optimist Linda Jaivin , Sydney : Fourth Estate , 2006 Z1263820 2006 single work novel humour (taught in 3 units)

'Capturing the voice of an Australia you haven't heard in fiction before ... Meet Zeke Togan, a small-time crim in big-time trouble. A quintessential Australian larrikin - whose biggest problem is that he isn't actually Australian. 19 year old Zeke was born in the Old Country but has been in Australia since he was six months old and considers himself as Aussie Aussie Aussie oi oi oi as the next bloke. But due to a mix-up at the naturalisation ceremony (Zeke was in the pub when the rest of his family were getting their certificates and sprigs of wattle) and some unfortunate brushes with the law, Zeke finds himself awaiting deportation from Sydney's Villawood Detention Centre. So Zeke finds himself locked up with the other crims, asylum seekers, sex slaves, illegal workers and visa overstayers. He loves Marlena, She Who Loves, Honours and Obeys Most a the Time Anyway, but he's having a hell of a time proving it from the wrong side of a double fence. His new friends the 'asylums' aren't doing so well either. Hamid loves Angel but she needs more than love. April thinks she loves Azad, but Azad thinks he loves April's daughter Marley. Thomas loves anyplace but where he is. Everyone loves freedom. Not everyone gets it. Everyone wants to survive. Not everyone will.' (Publication summary)

Writing Australia Queensland University of Technology 2012 (Semester 2)
Text Unit Name Institution Year
y separately published work icon A Most Immoral Woman Linda Jaivin , Pymble : HarperCollins Australia , 2009 Z1551989 2009 single work novel historical fiction (taught in 1 units)

'It is 1904. At the age of forty-two, the handsome and influential Australian George Morrison, Peking correspondent for The Times of London, is considered the most eligible Western bachelor in China. But Morrison has yet to meet his match - until one night, where the Great Wall meets the sea, he encounters Mae Perkins, the ravishing and free-spirited daughter of a California millionaire, and a turbulent affair begins.

'War, meanwhile, has broken out between Russia and Japan for domination over northeast China. Morrison's colleague Lionel James has an idea that will revolutionise war correspondence. But the Russians, the Japanese, and even The Times's own editor, it seems, would rather see James hung from the nearest yardarm. James believes that only Morrison can help. Just as Mae seems to be slipping away from him, James's quest propels Morrison into her magnetic orbit once more.

'Inspired by a true story, A Most Immoral Woman is a surprising, witty and erotic tale of sexual and other obsessions set in the "floating world" of Westerners in China and Japan at the turn of the twentieth century. At its heart stands an original and devastatingly honest woman, as seen from the perspective of the extraordinary man who was drawn to love her.'

Writing Bodies University of New South Wales 2009 (Semester 2)
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