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Sofia Chapman Sofia Chapman i(A26102 works by) (a.k.a. Sophia Chapman)
Gender: Female
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Works By

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1 Stockings Sofia Chapman , 2023 single work prose
— Appears in: Verge 2023 2023;
1 In My Boudoir Sofia Chapman , 2019 single work poetry
— Appears in: One Surviving Poem : Forty-two Poets Select the One Poem They Would Like to Survive Them 2019; (p. 21-22)
1 Untitled, or the Seat of Narcissa Sofia Chapman , 2017 single work drama

'Be taken into the world of a beguiling woman desiring true love while only ever opening herself to moments of lust, as Viscountess Narcissa holds court and sway over ladies keen for her affection.'

Source: La Mama Theatre program.

1 y separately published work icon Todd in Venice Sofia Chapman , 2017 Moonee Ponds : In Case of Emergency Press , 2020 15035392 2017 single work drama

'The classic ‘Death in Venice’ reimagined by award winning writer Sofia Chapman, with Thomas Mann’s innocent Tadzio now the gay boy Todd, rampaging around Venice and getting up to mischief. Agnes, in Venice to collect gaudy masks and glassware, yearns after Todd, but is in the process of transitioning. Michael, in Venice to write a musical, also finds Todd irresistible. Will Agnes lose her chance with Todd by becoming female? Or will she lose him anyway to her friend Michael? On top of all this, the water levels in Venice are rising and threatening to sweep them all away on a tide of emotion. Featuring original music, miniature gondolas and a masked disco.'

Source: Publisher's blurb,

1 A Boot Left in Wellington i "A boot, left, in Wellington.", Sofia Chapman , 2016 single work poetry
— Appears in: N-Scribe , no. 11 2016;
1 Villanelle : Detention Centre i "Write out 1000 times,", Sofia Chapman , 2013 single work poetry
— Appears in: Regime , no. 2 2013; (p. 70)
1 The Three Serbian Girls i "I disbelieved the Viscountess's claim.", Sofia Chapman , 2013 single work poetry
— Appears in: Uneven Floor , September 2013;
1 1 The Anorexic Chef Sofia Chapman , 2011 single work drama humour

'The reason why Gordon Bleu (Will Tait) is an anorexic — and alcoholic — chef gives the play its rainbow element. Until we discover that reason, it's hard to see what makes this a Midsumma production.

'Bleu is an Inuit who has fled his former life and has illegally started a restaurant in Australia. He's running it singlehandedly, meeting the needs of his demanding customers — the super-sized Larda Pamplona Paternoster (Hilary Fairchild), the always-buys-what-he-wants Oswald Paternoster (Benedict Joshua de Castella) — and the entirely undemanding Silenzia Zita Paternoster (Kirri Buchler). Then Wanda Antheopoulis (Eloise Bowden) arrives seeking a job and ends up helping Bleu face his past.

'The piece is carried by the character of Gordon Bleu. Will Tait is rubbery in a Jim Carrey way, bringing a playful physicality to the role. He also resembles Linguini from Ratatouille, especially when he loses his hat and we see his cow's lick.

'Despite the comedy, Bleu carries much pain and Tait brings this out perfectly. His performance is effortless and he has you laughing even as he makes you want to sit down with Bleu so you can slit your wrists together.

'Will Tait's performance is the reason why you should see '. (Source: Stage Whispers website)

1 Nancy Nails, Dominatrix i "No nails means snail’s trail,", Sofia Chapman , 2011 single work poetry
— Appears in: Australian Poetry 2011-;
1 Before You Turn and Go i "Before you turn and go", Sofia Chapman , 2010-2011 single work poetry
— Appears in: Inscribe , Summer no. 3 2010-2011; (p. 16)
1 Desperate Gallery Sofia Chapman , 2005 single work drama
1 The Accidental Death of an Accordionist Sofia Chapman , 1998 single work drama

'Tragedy strikes within Accordion Orchestra as soloist Sinistra Loca expires in penultimate bar.'

1 The Four Accordionists of the Apocalypse Sofia Chapman , 1996 single work drama

'Vita, daughter of Norse deities Frigg and Woden, goes to earth to find the true meaning of her (immortal) life. She falls in love with an enticing human creation, the accordion.

'Global infertility signals to Frigg that all is not well on earth; she realises that her wayward husband has been exploiting nature and encouraging mortals to do so. Frigg organises an apocalypse where humans shall be judged and nature set back in balance.

'Vita's accordion comes to life, championing the cause of objects and inciting them to rebel. At the apocalypse the accordionists battle the opposing wills of Frigg and Woden, to restore nature yet keep man's ultimate creation, the accordion.' (Source: Melbourne Fringe 2013 website.)

1 God's Fish i "God's fish doth move in most mysterious ways;", Sofia Chapman , 1990 single work poetry
— Appears in: Preludes : A Literary Annual , October no. 6 1990; (p. 55)
1 La Belle Chatte Sans Oreilles i "As once I walked on Grosvenor Street,", Sofia Chapman , 1990 single work poetry
— Appears in: Preludes : A Literary Annual , October no. 6 1990; (p. 54)
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