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Margaret Stevenson Margaret Stevenson i(A24338 works by)
Gender: Female
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Works By

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1 Australia Nathan Hobby , Van Ikin , Margaret Stevenson , 2018 single work criticism bibliography
— Appears in: The Journal of Commonwealth Literature , December vol. 53 no. 4 2018; (p. 526–545)
1 Australia Van Ikin , Margaret Stevenson , Nathan Hobby , 2017 single work criticism
— Appears in: The Journal of Commonwealth Literature , December vol. 52 no. 4 2017; (p. 574–606)

'A defining moment in Australian literature in 2016 involved two unlikely protagonists — an American novelist and a Sudanese-Australian engineer. It happened at the Brisbane Writers’ Festival in September when journalist and author Lionel Shriver gave the keynote address defending the right of writers to wear “different hats”, while wearing a Mexican sombrero, referencing a controversy at an American college over cultural appropriation. Fiction, Shriver said, will always involve writing about other cultures and identities, and she hit out at the way she felt identity politics made writers reluctant to do this. A number of audience members walked out of the talk and several of these wrote opinion pieces, including 25-year-old Yassmin Abdel-Magied, a mechanical engineer as well as a debut memoirist in 2016. Abdel-Magied labelled Shiver’s speech “a celebration of the unfettered exploitation of the experiences of others, under the guise of fiction” (Guardian 10 September 2016, emphasis original). The Guardian published her response and then, three days later, Shriver’s original speech (13 September 2016).'  (Introduction)

1 Annual Bibliography of Commonwealth Literature 2015 : Australia Van Ikin , Margaret Stevenson , Nathan Hobby , Keira McKenzie , 2016 single work bibliography
— Appears in: The Journal of Commonwealth Literature , December vol. 51 no. 4 2016; (p. 501-506)
'2015 was “a standout year for the publishing of contemporary Australian poetry” in the view of reviewer Jacina Le Plastrier (Australian Book Review 377 December). Robert Adamson’s spectacular poetic career has led The Times Literary Supplement to describe him as “One of the finest Australian poets at work today” and he has recently been awarded a Chair in Poetry at University of Technology, Sydney. His latest collection, Net Needle, includes the winner of the 2011 William Blake Prize, “Via Negativa, The Divine Dark” in Part One of the collection. Part Two is, in the words of Geoff Page, “a vintage collection of autobiographical poems” which is “probably the book’s high point”; Part Three is a series of literary tributes to various poets while Part Four is “more miscellaneous … culminating in the important poem ‘The Kingfisher’s Soul’” (SMH 16 May 2015). Expressing an equally enthusiastic response to the collection, reviewer A. J. Carruthers observes that Adamson “has worked in both experimental and romantic styles” and reflects the influence of Robert Duncan and Robert Creeley, but “Adamson is at his best when he eschews the romanticism of conventional verse style and explores the grittiness, impurity, and sheer difficulty of language” (ABR 377 December). Page concurs in this view, declaring that Adamson is at “his most characteristic and memorable” when his work involves “gritty realism with a lyrical edge; the ‘hands-on’ knowledge of a physical craft; the opening-out into wider implications about people’s emotional lives” (SMH 16 May). (Introduction)'
1 Australia Van Ikin , Margaret Stevenson , Keira McKenzie , 2015 single work bibliography
— Appears in: The Journal of Commonwealth Literature , December vol. 50 no. 4 2015; (p. 417-440)
1 De Profundis Margaret Stevenson , 1997 single work short story
— Appears in: The West Australian , 9 September 1997; (p. 3)
1 Chestnuts Margaret Stevenson , 1996 single work short story
— Appears in: The West Australian , 10 September 1996; (p. 10)
1 Greyskies i "Stars glimmer", Margaret Stevenson , 1995 single work poetry
— Appears in: The West Australian , 19 September 1995; (p. 3)
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