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Lyn Dickens Lyn Dickens i(A140762 works by)
Born: Established: Western Australia, ;
Gender: Female
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Works By

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1 Patrick Allington Lyn Dickens (interviewer), 2022 single work interview
— Appears in: Liminal , November 2022;

'Patrick speaks with Lyn Dickens about place, identity, and the role of creative communities.'
1 Unfinished Business Lyn Dickens , 2022 single work short story
— Appears in: Meniscus , vol. 10 no. 1 2022; (p. 36-46)
1 Books Roundup Ellen Cregan , Dženana Vucic , Lyn Dickens , Lisa Emanuel , 2022 single work review
— Appears in: Kill Your Darlings [Online] , May 2022;
— Review of How to Be Between Bastian Fox Phelan , 2022 single work autobiography ; Root and Branch : Essays on Inheritance Eda Gunaydin , 2022 selected work essay ; Daisy and Woolf Michelle Cahill , 2022 single work novel ; Abomination Ashley Goldberg , 2022 single work novel
1 y separately published work icon Saltbush Review Lyn Dickens (editor), Gemma Parker (editor), Adelaide : The J.M. Coetzee Centre for Creative Practice University of Adelaide , 2021- 23518963 2021 periodical (4 issues)
1 Borderlines Lyn Dickens , 2021 single work short story
— Appears in: Sūdō Journal , June no. 3 2021; (p. 59-66)
1 Intertidal Lyn Dickens , 2020 single work short story
— Appears in: StylusLit , March no. 7 2020;
1 The White Road Lyn Dickens , 2013 single work short story
— Appears in: Perspectives : The Sydney University Student Anthology 2013 2013; (p. 180-187)
1 White Gloves and Pomegranates Lyn Dickens , 2013 single work short story
— Appears in: Perspectives : The Sydney University Student Anthology 2013 2013; (p. 1-16)
1 Transcultural Horizons and the Limitations of Multiculturalism in 'The World Waiting to be Made' Lyn Dickens , 2011 single work criticism
— Appears in: Australian Studies , vol. 3 no. 2011; 'This article examines the limitations of Australian multiculturalism via an analysis of Simone Lazaroo's semi-autobiographical novel The World Waiting to be Made, which charts the life of a young mixed race woman in suburban Perth. Through a close reading of this novel, this article argues that current modes of multiculturalism are ill-equipped to deal with people of racially and culturally mixed heritages. Furthermore, through an exploration of the novel and the work of Caribbean scholars Édouard Glissant and Fernando Ortiz this essay asserts that concepts of syncretism, opacity and transculturation may provide alternative modes of perceiving difference within the nation.' (Author's abstract)
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