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Michael George Smith Michael George Smith i(A13041 works by)
Born: Established: 1952 London,
c
England,
c
c
United Kingdom (UK),
c
Western Europe, Europe,
;
Gender: Male
Arrived in Australia: 1964
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1 y separately published work icon Volume 2 : A Narrative History of Australian Pop and Rock: Beat Boom to Blues Pop 1964 - 1969 Michael George Smith , Melbourne : Thorpe-Bowker , 2019 25669555 2019 single work biography biography Australians in Jamaica at the birth of ska? Australians in Eurovision 40-odd years before Jessica Mauboy and Kate Miller-Heidke? Australians showing The Beatles the way just as Beatlemania finally exploded around the world? Australians propelling the world’s most famous Time Lord into our hearts and minds? And all of this in the Swinging ‘60s, when the world only had ears for Liverpool and London? Believe it! The world might only remember The Bee Gees, The Seekers and The Easybeats, but while they might have been the unlikely vanguard, there was a lot of extraordinary music being made in Australia and by Australians (and a few expat New Zealanders) on the other side of the world than anyone realises. That’s why this series of books on the history of Australian rock and pop from its beginnings through to today is titled What’s Been Did (And What’s Been Hid). You’d be surprised. Welcome to the stories of the artists and acts that began their careers between 1964 and 1969 in Volume II: Beat Boom to Blues Pop: 1964-1969. Some you’ll know, many you thought you knew and some still shaking the tree even today.
1 y separately published work icon Volume 1 : Beginnings to the End of the Surf Era : 1956-1963 Michael George Smith , Epping : Bowker , 2019 25669469 2019 single work biography

Volume I takes the reader from the beginnings of rock’n’roll in Australia to the end of the surf music era in 1963, just before The Beatles finally broke through in Australia and changed everything. It’s chronological in the sense that I look at artists and acts as they emerge on the local, national and – the few lucky ones – international stage, but within each “band/artist” chapter I look at similar artists and acts, some of them even directly connected to the main artist/act in a sort of “family trees” way, some just because their stories are worth preserving as more and more of their “lost” music is retrieved by fans and released on compilation CDs. I also follow their various careers as far as they went, whether it only produced a single or continues through until today – and you’d be surprised how many of them are still out there performing – and recording. The book is a mix of research and interviews with those participants I’ve been lucky enough to talk to over the years. It’s about the music – whatever the quality or otherwise (no personal judgements or evaluations) – and the musicians. It’s NOT an academic work, but I’ve tried to use academic rigour to get it as right as possible. Enjoy…

Source: Publisher's blurb

1 y separately published work icon What's Been Did (And What's Been Hid) : A Narrative History of Australian Rock and Pop 1956 to the Present Michael George Smith , Melbourne : Thorpe-Bowker , 2019 26301083 2019 series - author biography

A series looking at the evolution of rock and pop in Australia over the past 60-odd years. The title of the series, What’s Been Did And What’s Been Hid, is borrowed from a song by the great Donovan Leitch, who I hope won’t mind, and is so-called because, while it naturally looks at the obvious “highlights”, from Australia’s “first” rock’n’roll star, Johnny O’Keefe through The Bee Gees and The Easybeats to AC/DC, Men At Work and INXS to Savage Garden and so on, each volume looks at the other artists and acts whose creativity not only provided a multiplicity of records, some gems, some best forgotten, many treasured the world over by collectors and fans alike, but also were the musical context within which those artists and acts that did make it worked and therefore were as influential in the development of those artists and acts as the records they were listening to from the UK and the USA. The other things these volumes hope to provide is the broader social context within which this remarkable musical legacy was created and just how far that legacy actually reached, how very much more of it impacted on the musical scenes in the UK and the USA – and Europe – than most people realise. 

source: publisher's blurb

1 Anwyn Crawford on Nick Cave Michael George Smith , 2010 single work correspondence
— Appears in: Overland , Autumn no. 198 2010; (p. 3-4)
1 Fiction Michael George Smith , 2004 single work review
— Appears in: Island , Summer no. 99 2004; (p. 68-71)

— Review of The Last Love Story : A Fairytale of the Day After Tomorrow Rodney Hall , 2004 single work novel
1 Playful, Satiric and Fabulous Michael George Smith , 2003 single work review
— Appears in: Island , Autumn no. 92 2003; (p. 72-77)

— Review of Alanna Alan Saunders , 2002 single work novel ; Academia Nuts Michael Wilding , 2002 single work novel ; Spirit of the Rose Pat Skinner , 2002 selected work short story
1 The Harm Inside Your Mind Michael George Smith , 2001 single work review
— Appears in: Overland , Winter no. 163 2001; (p. 118-119)

— Review of Harm : A Memoir of Dark, Glorious Days Stephanie Luke , 2000 single work novel
1 Rockin' the Detectives Michael George Smith , 2000 single work review
— Appears in: Overland , Autumn no. 158 2000; (p. 117-118)

— Review of Murder in the Groove Dave Warner , 1998 single work novel
1 Words to Conjure With : Non-Fiction Stephanie Holt , Michael George Smith , 2000 single work column
— Appears in: The Age , 5 August 2000; (p. 7)
1 Footprints i "Proud mother", Michael George Smith , 1997 single work poetry
— Appears in: Overland , Summer no. 149 1997; (p. 24)
1 A Sort of Breathing Space Michael George Smith , 1997 single work review
— Appears in: Overland , Spring no. 148 1997; (p. 89-90)

— Review of Kindling Does for Firewood Richard King , 1996 single work novel
1 Rosie Scott, Disconnection and Dirty Realism Michael George Smith (interviewer), 1996 single work interview
— Appears in: Quadrant , November vol. 40 no. 11 1996; (p. 66-68)
1 Tribes and Bands Michael George Smith , 1996 single work review
— Appears in: Overland , Spring no. 144 1996; (p. 88-89)

— Review of Sing for Me, Countryman Neil Murray , 1993 single work novel
1 Scattergun Satires Michael George Smith , 1995 single work review
— Appears in: Overland , Summer no. 141 1995; (p. 58-59)

— Review of The Pink Violin : An Anthology of Writings about the Music of the Rosenbergs Jon Rose , Rainer Linz , 1992 anthology short story prose
1 Rediscovering the Greek Surreal Michael George Smith , 1993 single work review
— Appears in: Overland , Spring no. 132 1993; (p. 84-85)

— Review of The Mule's Foal Fotini Epanomitis , 1993 single work novel
1 The Worm Turned - and We Just Watched Michael George Smith , 1993 single work review
— Appears in: Overland , Winter no. 131 1993; (p. 91-93)

— Review of Gleitzman on Television. Just Looking Morris Gleitzman , 1993 selected work prose criticism
1 Compulsive Reading : The Attractions of Vacancy Michael George Smith , 1992 single work review
— Appears in: Overland , Spring no. 128 1992; (p. 87-88)

— Review of Praise Andrew McGahan , 1992 single work novel
1 War Games Michael George Smith , 1984 single work short story
— Appears in: Brave New Word , no. 5 1984; (p. 59-63)
1 The Black Michael George Smith , 1983 single work short story
— Appears in: The Strength of Tradition : Stories of the Immigrant Presence in Australia 1970-81 (Dedicated to David Martin) 1983; (p. 240-252) I Logotechniki Parousia ton Ellinon stin Afstralia 1987; (p. 493-501)
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