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Neelima Kanwar Neelima Kanwar i(A115039 works by)
Gender: Female
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Works By

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1 Introduction Neelima Kanwar , 2016 single work criticism
— Appears in: Narratives of Estrangement and Belonging : Indo-Australian Perspectives 2016; (p. 13-17)

'Contemporary Australia, a pluralistic society majorly comprises of diverse, Indigenous/Aboriginal people, people from British colonial past and an extensive diaspora from varied countries and cultures. These three give Australia a distinct flavor of being multi- ethnic and multi-cultural nation, a nation which is a home to many- a place to live and belong. However, this ironically has contradictory perceptions as well. The Aboriginal, the Fourth world people, have for long felt estranged/ homeless in their own land. They question the very being of being an Australian; the white/British descendants experience a new outlook amidst new cultural contents and diaspora with their tales of departure and arrival ponder over Who am I? Where am I? To whom and where I belong to? These interrogations reflective of socio-political encounter amongst cross-cultural and inter cultural domains also pose strong existential queries around ethical framework. Australian society today, hence, stands at a threshold negotiating its identity as a nation - nation at present occupied with its own past more than ever before so as to come as its own.' (Introduction)

1 2 y separately published work icon Narratives of Estrangement and Belonging : Indo-Australian Perspectives Neelima Kanwar (editor), New Delhi : Authorspress , 2016 11563512 2016 anthology criticism

'Literature of any nation cannot be studied in isolation. It must be read, studied, examined and evaluated with respect to socio-political and economic environment in which it breeds as well as the historical events which precede it. Australian literature today, too, exemplars this concept. For the Aboriginals it is self-representation that has allowed them to speak with their own voices their connection (belonging) and dis-connection (estrangement) with their land instead of being spoken about. The white settler writers struggle with the issues of conflict and contradiction between Britain and Australia and the extensive diaspora writers have traces of longing and belongings. The contemporary Australian literature, thus, reflects varied shades of living in Australia.

'To understand this through nostalgia, memory, alienation and belonging remains a central concern in this volume.

'This book makes a significant contribution to the field of Indo-Australian Studies so as to facilitate a better comprehension of Australian literature to Indian scholars and perceptions of Indian readers to Australian academics.' (Publication summary)

1 Narratives of History and Self : Ruby Langford Gnibi's Don't Take Your Love to Town and My Bundjalung People Neelima Kanwar , 2011 single work criticism
— Appears in: IJAS , no. 4 2011; (p. 60-73)
'Neelima Kanwar states that 'Both the mentioned novels deal with the notion of self-self which is not only the personal being, but as an Indigenous Australian includes the whole Aboriginal community. As such by writing about herself, Ruby L Gnibi asserts the existence of community too-the community which as been denied a presence in the history.' (60)
1 Fragmented Identities : Aboriginal and Diasporic Protaginists in Select Short Stories from Home and Away Neelima Kanwar , 2008 single work criticism
— Appears in: IJAS , vol. 1 no. 1 2008; (p. 99-107)
1 Truth as Fiction: Kim Scott's Benang and Beatrice Culleton's April Raintree Neelima Kanwar , 2006 single work criticism
— Appears in: Australia and India : Interconnections : Identity, Representation, Belonging 2006; (p. 122-135)
Neelima Kanwar's paper examines Kim Scott's Benang and Canadian writer Beatrice Culleton's April Raintree.
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