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Ealing Studios Ealing Studios i(A104993 works by) (Organisation) assertion
Born: Established: 1902 Ealing, London,
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England,
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United Kingdom (UK),
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Western Europe, Europe,
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1 1 form y separately published work icon Easy Virtue Stephan Elliott , Sheridan Jobbins , ( dir. Stephan Elliott ) England : Ealing Studios , 2009 Z1611389 2009 single work film/TV
1 3 form y separately published work icon The Siege of Pinchgut Four Desperate Men Jon Cleary , Alexander Baron , ( dir. Harry Watt ) London : Ealing Studios Associated British Picture Corporation , 1959 Z1688153 1959 single work film/TV

A group of escaped convicts seize Fort Denison in Sydney Harbour. The island has working coast artillery guns on it, which the convicts use to threaten Sydney until their demands are met. The authorities are unaware, however, that the convicts cannot access the shells, which are locked away in the fort.

1 3 form y separately published work icon The Shiralee Leslie Norman , Neil Paterson , ( dir. Leslie Norman ) United Kingdom (UK) : Ealing Studios , 1957 7214135 1957 single work film/TV

'Tale of the wanderings of a Sydney husband who takes to the road with five-year-old daughter after finding his neglected wife living with another man.'

Source: British Film Institute (http://ftvdb.bfi.org.uk/sift/title/50475). (Sighted: 7/4/2014)

1 form y separately published work icon The Square Ring Robert Westerby , ( dir. Basil Dearden ) England : Ealing Studios , 1953 8132746 1953 single work film/TV

An adaptation of Ralph Peterson's play of the same name, which had premiered successfully in London in 1952.

1 12 form y separately published work icon Bitter Springs W. P. Lipscomb , Monja Danischewsky , Ralph Smart , ( dir. Ralph Smart ) London : Ealing Studios , 1950 Z1188261 1950 single work film/TV

From an original storyline by Ralph Smart, Bitter Springs is a pioneering drama that centres on the conflict between white settlers and Aboriginal people over rights of access to water. In the early 1900s, the King family treks some 600 miles to take up the property they bought from the government. When they arrive, they clash with the local Aboriginal tribe. The waterhole on which the local people depend for survival is now part of the Kings' property. When one of the Kings is speared, the family decide to compromise rather than fight, and a deal is struck whereby both parties agree to establish a profitable sheep station around the waterhole.

The story is notably liberal in balancing the point-of-view of encroaching European settlers with Aboriginal claims for land rights, coincidentally contemporaneous with the emergence of the liberal, pro-Native American Hollywood Western with Broken Arrow (1950).

1 7 form y separately published work icon Eureka Stockade Harry Watt , Walter Greenwood , Ralph Smart , ( dir. Harry Watt ) England : Ealing Studios , 1949 Z1380035 1949 single work film/TV historical fiction crime

Based on the real incidents that occurred on the Ballarat goldfields in Victoria during the early to mid 1850s, Eureka Stockade follows Peter Lalor, a boisterous prospector who leads a rebellion against the colonial authorities over excessive licences and restrictions. At first, the prospectors intend to use random mob violence, but Lalor organises the group into a strong, united front. The climax sees them take on the troops under the flag of the Southern Cross.


Lalor is portrayed in this version as a man of doubts and principles rather than as the charismatic rebel leader traditionally associated with the legend.

1 2 form y separately published work icon Saraband for Dead Lovers John Dighton , Alexander Mackendrick , ( dir. Basil Dearden ) London : Ealing Studios , 1948 Z1392954 1948 single work film/TV

Set in seventeenth-century Hanover, Saraband for Dead Lovers tells the story of the tragic love affair between Sophie Dorothea, wife of George I of England, and Count Konigsmark, a Swedish soldier. Events take place in a climate of political intrigue leading up to George I's succession to the English throne.

1 20 form y separately published work icon The Overlanders Harry Watt , ( dir. Harry Watt ) 1946 England : Ealing Studios , 1946 Z1418893 1946 single work film/TV (taught in 1 units)

Set in Australia near the beginning of the Second World War, a time when much of the country was in fear of an impending Japanese invasion. This fear caused many Northern Territory inhabitants to begin evacuating, in order to escape being taken prisoner, and to burn everything in a 'scorched earth' policy, in order to leave the invading forces without resources. Rather than kill all their cattle, a disparate group decides to drive them overland halfway across the continent.

The Overlanders is a story that emphasises the Australian spirit in a time of great uncertainty. It recreates the hazards of an epic cattle drive and carefully assembles the mannerisms, vocabulary, and attitudes that characterise the Australian bushman. The story also reinforces the resilience and strength of women, particularly through the character of Mary Parsons. In this respect, it carries on the tradition of the bush heroine established in Australian films of the twenties and thirties.

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