AustLit

'A stunning new collection from one of Australia's finest poets - her most impressive work yet.

'With electrifying boldness and fearlessness of vision, Sarah Holland-Batt confronts what it means to be mortal in an astonishing and deeply humane portrait of a father's Parkinson's Disease, and a daughter forged by grief.

'Opening and closing with startling elegies set in the charged moments before and after a death, and compulsively probing the body's animal endurance and appetites, along with the metamorphoses of long illness, The Jaguar is marked by Holland-Batt's distinctive lyric intensity and linguistic mastery, along with a stark new clarity of voice.

'In this collection Holland-Batt is at her most exacting and uncompromising- these ferociously intelligent, insistent poems refuse to look away, and challenge us to view ruthless witness as a form of love. The Jaguar is a devastating and mesmerising collection by a poet at the height of her powers.' (Publication summary)

Biting The Clouds

A Badtjala perspective on the Aboriginals Protection and Restriction of the Sale of Opium Act, 1897

'In this groundbreaking work of Indigenous scholarship, nationally renowned visual artist Fiona Foley addresses the inherent silences, errors and injustices from the perspective of her people, the Badtjala of K’gari (Fraser Island). She shines a critical light on the little-known colonial-era practice of paying Indigenous workers in opium and the ‘solution’ of then displacing them to K’gari.

Biting the Clouds – a euphemism for being stoned on opium – combines historical, personal and cultural imagery to reclaim the Badtjala story from the colonisation narrative. Full-colour images of Foley’s artwork add further impact to this important examination of Australian history.'

(Source : UQP)

'Too much lip, her old problem from way back. And the older she got, the harder it seemed to get to swallow her opinions. The avalanche of bullshit in the world would drown her if she let it; the least she could do was raise her voice in anger.

'Wise-cracking Kerry Salter has spent a lifetime avoiding two things – her hometown and prison. But now her Pop is dying and she’s an inch away from the lockup, so she heads south on a stolen Harley.

'Kerry plans to spend twenty-four hours, tops, over the border. She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. And the unexpected arrival on the scene of a good-looking dugai fella intent on loving her up only adds more trouble – but then trouble is Kerry’s middle name.

'Gritty and darkly hilarious, Too Much Lip offers redemption and forgiveness where none seems possible.' (Publication summary)