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James Brown James Brown i(7273979 works by)
Born: Established: 1980 Sydney, New South Wales, ;
Gender: Male
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Works By

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1 y separately published work icon Firing Line : Australia's Path to War James Brown , Carlton : Black Inc. , 2016 11611861 2016 single work criticism

'Going to war may be the gravest decision a nation and its leaders make. At the moment, Australia is at war with the Islamic State. We also live in a region that has become much more volatile, as China asserts itself and America seeks to hold the line.

'What is it like to go to war? How do we decide to go to war? Where might we go to war in the future? Will we get that decision right? In this vivid, urgent essay, James Brown looks to history, strategy and his own experience to explore these questions. He examines the legacy of the Iraq War and argues that it has prevented a clear view of Australia’s future conflicts. He looks at how we plug into the US war machine, now that American troops are based in Darwin. And he sheds fascinating light on the extraordinary concentration of war powers in the hands of the Prime Minister – and how this might go wrong. This powerful essay argues that we have not yet begun to think through the choices that may confront us in years ahead.

‘When you live in a country like ours, the dirty business of war is a stranger. That is the blessed legacy of a place where soldiers are rarely seen, and then only on parade. Where war means Anzac Day, and Anzac Days are all the same. There are few moments in modern Australia when you might pause to ask the most consequential of questions . . . What is it that we are willing to fight for?’ —James Brown, Firing Line' (Publication summary)

1 Anzac Instincts James Brown , 2015 single work essay
— Appears in: Griffith Review , April no. 48 2015; (p. 272-281)
'IT IS A curious thing, perhaps unique to Australia, that someone appraising the phenomenon of Anzac – that shared national oath to remember military sacrifice and honour wartime service – must first present genealogical military credentials. It’s a defensive move; it declares you share the Anzac spirit, and have a claim to it – an inoculation of sorts against the charge of being unqualified to speak to a topic of such secular sacredness.' (Introduction)
1 5 y separately published work icon Anzac's Long Shadow : The Cost of Our National Obsession James Brown , Collingwood : Black Inc. , 2014 7274003 2014 single work non-fiction

'‘A century ago we got it wrong. We sent thousands of young Australians on a military operation that was barely more than a disaster. It’s right that a hundred years later we should feel strongly about that. But have we got our remembrance right? What lessons haven’t we learned about war, and what might be the cost of our Anzac obsession?’

'Defence analyst and former army officer James Brown believes that Australia is expending too much time, money and emotion on the Anzac legend, and that today’s soldiers are suffering for it.

'Vividly evoking the war in Afghanistan, Brown reveals the experience of the modern soldier. He looks closely at the companies and clubs that trade on the Anzac story. He shows that Australians spend a lot more time looking after dead warriors than those who are alive. We focus on a cult of remembrance, instead of understanding a new world of soldiering and strategy. And we make it impossible to criticise the Australian Defence Force, even when it makes the same mistakes over and over. None of this is good for our soldiers or our ability to deal with a changing world. With respect and passion, Brown shines a new light on Anzac’s long shadow and calls for change.' (Publication summary)

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