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Holly Ringland Holly Ringland i(6848791 works by)
Gender: Female
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Works By

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2 1 y separately published work icon The Seven Skins of Esther Wilding Holly Ringland , Sydney : Fourth Estate , 2022 23663938 2022 single work novel

'From international bestselling author of The Lost Flowers of Alice Hart, Holly Ringland, comes a haunting and magical novel about joy, grief, courage, and transformation.

'The last time Esther Wilding's beloved older sister Aura was seen, she was walking along the shore towards the sea. In the wake of Aura's disappearance, Esther's family struggle to live with their loss. To seek the truth about her sister's death, Esther travels from Tasmania to Copenhagen, and then to the Faroe Islands.

'On her journey, Esther is guided by the stories Aura left behind in her treasured journal: seven fairy tales about selkies, swans and women, as well as cryptic verses Aura wrote and had secretly tattooed on her body.

'The Seven Skins of Esther Wilding is about the far reaches of sisterly love, the power of wearing your heart on your skin, and the ways life can transform when we find the courage to feel the fullness of both grief and joy.' (Publication summary)

1 The Market Seller Holly Ringland , 2019 single work short story
— Appears in: Griffith Review , no. 66 2019; (p. 85-97)
25 3 y separately published work icon The Lost Flowers of Alice Hart Holly Ringland , Australia : Fourth Estate , 2018 12341482 2018 single work novel

'The most enchanting debut novel of 2018, this is an irresistible, deeply moving and romantic story of a young girl, daughter of an abusive father, who has to learn the hard way that she can break the patterns of the past, live on her own terms and find her own strength.

'An enchanting and captivating novel, about how our untold stories haunt us - and the stories we tell ourselves in order to survive.

'After her family suffers a tragedy, nine-year-old Alice Hart is forced to leave her idyllic seaside home. She is taken in by her grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak.

'Under the watchful eye of June and the women who run the farm, Alice settles, but grows up increasingly frustrated by how little she knows of her family's story. In her early twenties, Alice's life is thrown into upheaval again when she suffers devastating betrayal and loss. Desperate to outrun grief, Alice flees to the dramatically beautiful central Australian desert. In this otherworldly landscape Alice thinks she has found solace, until she meets a charismatic and ultimately dangerous man.

'Spanning two decades, set between sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, The Lost Flowers of Alice Hart follows Alice's unforgettable journey, as she learns that the most powerful story she will ever possess is her own.'

Source: Publisher's blurb.

1 Lost Girl of the Never-Never Holly Ringland , 2016 single work autobiography
— Appears in: Desert Writing : Stories from Country 2016; (p. 13-23)
1 Daydream or Perish Holly Ringland , 2015 single work column
— Appears in: Good Reading , November 2015; (p. 16-17)

'Australian writer HOLLY RINGLAND recovers her sense of wonder on a writing retreat in Oxford led by Kate Forsyth.'

1 Might Be Rainbows Holly Ringland , 2015 single work autobiography
— Appears in: Griffith Review , no. 47 2015; (p. 309-317)

'On the South-West boundary of Uluru-Kata Tjuta National Park, in the centre of Australia, an unmarked red-dirt track turns left off the Lasseter Highway. For the few kilometres still within park lines it's known as Docker River Road. Beyond that point it becomes Tjukaruru Road, leading to Western Australia through Aboriginal freehold land.' (Publication abstract)

1 y separately published work icon Picture 1000 Words : A Photo-Literacy Collaboration Exploring the Power of Images to Inspire Written Creativity Picture One Thousand Words Alice Allan , Andrew Bifield , Jessie Cole , Rijn Collins , Brett Hamm , Kate Hennessy , Maryanne Khan , Louise Nicholls , Ashley Orr , Felicity Pickering , Holly Ringland , Luke Wright , Aisling Smith , Melbourne : Cam Cope , 2013 7466127 2013 anthology short story

'What happens when a collection of writers are given a picture, a word limit and the freedom to see where an image can take them? Playing on an old adage, Picture 1000 Words is a unique pictorial short story anthology that experiments with the process of writing while simultaneously celebrating an enigmatic collection of photographs by Cam Cope. Thirteen writers have produced original, highly personalised 1000 word compositions that the reader explores together with the creative processes the authors have been through to write them. Does the reader see what the writer sees? Or do they find something else hidden in the visuals? Intriguingly the authors were not told the real-world origins of the images before penning them. So where do they come from? To satisfy curiosity, Cope provides an index with the real world captions behind the photos so readers can see how far from the truth the pens did fall. ' (Publication summary)

1 Nested Dolls : ‘Inner Storytelling’ and the Creative Writing Process Holly Ringland , 2013 single work criticism
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 17 no. 2 2013;
'In 2008, life, as I had known it for the preceding four years, ended. I had been living in the red majesty of Australia’s Central Desert, building a career from a rich and unique professional platform, and personally, I had fallen in love. However, between the lines of this white-girl-in-the-outback postcard was the overwhelming reality of the 2007 Northern Territory Intervention and a hidden abusive relationship. This is a story within the story of a story, of what severance leaves in its wake; how after leaving my desert life behind, I rediscovered creative writing and through writing fiction began to edit what Maria Popova calls my ‘inner storytelling’ (Popova 2013b), learning to ‘draw positive meaning’ (Perry 2012: 77) from traumatic experience. This is a story written from what Avery F Gordon describes as my ‘haunting place’, ‘conjuring’ my ‘ghosts’ to ‘put life back in’ to my memories (Gordon 2008: 22). This is ‘that sore place’ Tom Spanbauer says is ‘within each of us that is the source for stories that no one else can tell’; this is how I began to embrace writing fiction as ‘the lie that tells the truth truer’, through the act of what he calls ‘dangerous writing’ (Spanbauer nd).' (Author's abstract)
1 Creative Communities – There’s No Such Thing as Three’s a Crowd! Holly Ringland , 2010 single work column
— Appears in: Lip Magazine 2010;
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