AustLit

'One hundred days. It’s no time at all, she tells me. But she’s not the one waiting.

'In a heady whirlwind of independence, lust and defiance, sixteen-year-old Karuna falls pregnant. Not on purpose, but not entirely by accident, either. Incensed, Karuna’s mother, already over-protective, confines her to their fourteenth-storey housing-commission flat, to keep her safe from the outside world – and make sure she can’t get into any more trouble.

'Stuck inside for endless hours, Karuna battles her mother and herself for a sense of power in her own life, as a new life forms and grows within her. As the due date draws ever closer, the question of who will get to raise the baby – who it will call Mum – festers between them.

'One Hundred Days is a fractured fairytale exploring the fault lines between love and control. At times tense and claustrophobic, it is nevertheless brimming with humour, warmth and character. It is a magnificent new work from one of Australia’s most celebrated writers.' (Publication summary)

'For perhaps the first time in novel form, Benevolence presents an important era in Australia’s history from an Aboriginal perspective.

'Benevolence is told from the perspective of Darug woman, Muraging (Mary James), born around 1813. Mary’s was one of the earliest Darug generations to experience the impact of British colonisation. At an early age Muraging is given over to the Parramatta Native School by her Darug father. From here she embarks on a journey of discovery and a search for a safe place to make her home.

'The novel spans the years 1816-35 and is set around the Hawkesbury River area, the home of the Darug people, Parramatta and Sydney. The author interweaves historical events and characters - she shatters stereotypes and puts a human face to this Aboriginal perspective.'

Source: Publisher's blurb.

'Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves.

'In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.'  (Publication summary)

'After a decade in Europe August Gondiwindi returns to Australia for the funeral of her much-loved grandfather, Albert, at Prosperous House, her only real home and also a place of great grief and devastation.

'Leading up to his death Poppy Gondiwindi has been compiling a dictionary of the language he was forbidden from speaking after being sent to Prosperous House as a child. Poppy was the family storyteller and August is desperate to find the precious book that he had spent his last energies compiling.

'The Yield also tells the story of Reverend Greenleaf, who recalls founding the first mission at Prosperous House and recording the language of the first residents, before being interred as an enemy of the people, being German, during the First World War.

'The Yield, in exquisite prose, carefully and delicately wrestles with questions of environmental degradation, pre-white contact agriculture, theft of language and culture, water, religion and consumption within the realm of a family mourning the death of a beloved man.'

Source: Publisher's blurb.

'Too much lip, her old problem from way back. And the older she got, the harder it seemed to get to swallow her opinions. The avalanche of bullshit in the world would drown her if she let it; the least she could do was raise her voice in anger.

'Wise-cracking Kerry Salter has spent a lifetime avoiding two things – her hometown and prison. But now her Pop is dying and she’s an inch away from the lockup, so she heads south on a stolen Harley.

'Kerry plans to spend twenty-four hours, tops, over the border. She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. And the unexpected arrival on the scene of a good-looking dugai fella intent on loving her up only adds more trouble – but then trouble is Kerry’s middle name.

'Gritty and darkly hilarious, Too Much Lip offers redemption and forgiveness where none seems possible.' (Publication summary)