'Historians have long sought to compare Australian and New Zealand Anzac commemoration, finding that Australian commemoration tends to be more nationalistic and celebratory, while New Zealand’s is more solemn and inclusive of Māori, women’s and pacifist perspectives. This article examines war commemoration in Australia and New Zealand during the centenary of the First World War through the medium of four Anzac-themed television productions: Australia’s Gallipoli and The Power of Ten and New Zealand’s When We Go to War and Field Punishment No. 1. Due to their capacity to attract mass audiences, television and film are useful mediums for elucidating major cultural trends, including the changing nature of war commemoration and its relationship to ideals of nationhood. In particular, the article argues that the coexistence of myth-challenging representations in Australia with productions that reinforce the traditional Anzac legend reflects a longstanding tension between supporters of the state-sanctioned nationalist trope and its critics in artistic and academic communities; alternatively, the less controversial nature of the Anzac legend in New Zealand helps account for the more prosaic tone of some of its Anzac-themed television.' (Publication abstract)
