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Catharine Steinberg Catharine Steinberg i(12335679 works by)
Gender: Female
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Works By

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1 y separately published work icon Heart Songs and Distant Prayers Catharine Steinberg , Port Adelaide : Ginninderra Press , 2021 23325459 2021 selected work poetry

'For me, poetry is a symbolic form of language that embodies a multitude of meanings that are deeply sensed in the mind and body and require expression. Reading, writing and speaking poems out loud are all ways of connecting with our selves and expressing this emotional self to others. Therefore, poetry is both a solitary occupation and a social communication that defies logic and the intellect.' (Publication summary)

1 Cloudy Skies, No Rain i "Cleaving the waters surface with a shudder.", Catharine Steinberg , 2020 single work poetry
— Appears in: I Protest! Poems of Dissent 2020; (p. 65)
Author's note: (December 2019)
1 Refelctions i "Oozy meadows, brooding shadows, soft warm light.", Catharine Steinberg , 2019 single work poetry
— Appears in: Mountain Secrets 2019; (p. 186)
1 y separately published work icon Poems from the Cradle of Dreams Catharine Steinberg , Port Adelaide : Ginninderra Press , 2019 16710942 2019 selected work poetry

'Learning to speak, read and write with my mother are happy childhood memories. From that time I developed a life long passion for words and reading. More recently I have discovered an intense desire to write poetry. It’s as if I am learning to speak again, but this time from the Cradle of Dreams. These poems have been selected from those written between 2014 and 2018.'   (Publication summary)

1 The Mountain's Song i "The massive mountain towers above the lake", Catharine Steinberg , 2018 single work poetry
— Appears in: Wild 2018; (p. 91)
1 y separately published work icon Signs of a Poetic Life Catharine Steinberg , Port Adelaide : Ginninderra Press , 2017 12335697 2017 selected work poetry

'The poems in Signs of a Poetic Life have been randomly selected from those written between 2014 and 2016. Most of the poems have arisen from associations between memories and emotions. But a few poems have arisen spontaneously and feel inspirational because, like some abstract paintings, they seem to come from an original place in my mind. I have discovered that when I paint with an open mind, images arise that feel similar to poetry in that they both originate in the unconscious mind. But it can be difficult to make sense of abstract paintings that are formed in this way because, while they express many unconscious sensations and feelings, they are non-verbal communications and usually remain in a primitive form. Of course, for art lovers like myself, this is completely fine. Whereas an abstraction can leap directly out of the unconscious mind onto the canvas and become a painting, the embryonic poem pauses briefly on its journey at a preconscious place. It is here that the poem is assembled into a language of many wild thoughts and associations. This imaginative process feels like daydreaming, fantasy or play. Only when the poem is born into consciousness does it become clothed in words, while still retaining its primitive origins. I have learnt so much from exploring this unique process and hope that I have conveyed this experience in some of my poems.' (Publication Summary)
 

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