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Jim Berryman Jim Berryman i(10913678 works by)
Gender: Male
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Works By

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1 Australian National Anthologies : A Study of Poems and Poets. Jim Berryman , Caitlin Stone , 2017 single work criticism
— Appears in: Journal of Australian Studies , March vol. 41 no. 1 2017; (p. 47-64) 'This article analyses the contents of fifteen Australian “national” poetry anthologies published between 1946 and 2011. The study has three basic aims: to identify the most anthologised poems (as determined by the greatest number of inclusions in all anthologies), to identify poets with the most poems anthologised, and to identify the poets most consistently represented during this period. Based on quantitative data derived from each anthology’s table of contents, this article provides an empirical and analytical account of Australian national poetry anthologies over a six-decade period. The results reveal a core group of consistently anthologised poems and poets. While each anthology is different, there is a degree of consensus among national anthologists regarding the inclusion of “standard anthology pieces”. This article also considers the role of national anthologies in supporting a hierarchy of established literary reputations and perpetuating a poetic tradition in Australian literature. ' (Publication abstract)
1 Breaking Fresh Ground: New Impulses in Australian Poetry, an Anthology Jim Berryman , 2016 single work criticism
— Appears in: Queensland Review , vol. 23 no. 2 2016; (p. 224-245) 'New Impulses in Australian Poetry was an anthology of contemporary Australian poetry published in Brisbane in 1968. The book was the idea of two Queensland poets, Rodney Hall and Thomas Shapcott. New Impulses was modelled on international modern poetry anthologies. At the time, this type of anthology was unfamiliar in Australia. Hall and Shapcott declared their intentions in modernist terms: to challenge the literary establishment and to promote the new poetry of the 1960s. It was a new type of anthology for a new type of poetry. This article explores the anthology's Queensland origins and examines its modern themes and influences. It concludes with a discussion of the anthology's impact and legacy from the perspective of Australian literary history, especially the ‘New Australian Poetry’, which it prefigured. In addition to its literary significance, New Impulses was an Australian publishing milestone. The book was the first poetry anthology published by University of Queensland Press. Its success demonstrated the market potential for literary publishing in Australia.' (Publication abstract)
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