Issue Details: First known date: 2015 2015
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  • Research background

    'Underpinning this creative work is an argument that theorising out of practice has to be grounded in ‘material thinking’ (Carter 2004), and only through the process ‘or tissue’ of composition (Bolt 2006: 1) can any understanding of the world be made. Any dialogue that emerges between making and thinking – in this case new makings about the thinking (and makings) of the first makings (and thinking), as aside – is a result of the interplay of intelligences, of the artist/s at work, materials at hand, and process and interrogation of making itself. Process is crucial: immersion, contemplation and patience. '

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Last amended 12 Nov 2015 16:44:21
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