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Issue Details: First known date: 2020... 2020 History, Recognition, and the Trauma of Indigenous Enjoyment in The Chant of Jimmie Blacksmith
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AbstractHistoryArchive Description

'The Chant of Jimmie Blacksmith (1978), directed by Fred Schepisi, is an Australian New Wave film about a young Indigenous Australian man’s struggle for recognition in pre-federation Australia, a futile pursuit that leads him to commit acts of violence against his colonial oppressors, an event based on the 1900 Breelong murders. It is this element of violence, in particular, the first act against the Newby family, that emerges as a paradoxical element that has troubled many critics of the film. Several immediate local reviewers of the film specifically addressed this aspect, claiming that the violent act “unbalances” the film (Jennings 26) and feels “overprepared and under-defined” (Connolly, qtd. in Donnar) and that otherwise “there seems insufficient reason” for it (Coster, qtd. in Donnar). The film’s violence also led to difficulties in its international marketing, with its inclusion in the United Kingdom’s “Section 3 Video Nasties” list of VHS films liable to be seized and confiscated, as well as having to be reedited in order to be released in the United States.' (Introduction)

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    y separately published work icon Antipodes vol. 34 no. 2 2020 24277486 2020 periodical issue 'This issue marks another significant moment of this journal’s evolution. Just a few years ago, Nicholas Birns moved on from the editor position, after eighteen years of dedicated service. As you can see in this issue, with an interview with Donna Coates, he remains a vital contributor to Antipodes—and behind the scenes, he continues to be a valuable resource for this editor.' (Editorial introduction) 2020 pg. 296-312
Last amended 4 Apr 2022 12:58:09
296-312 History, Recognition, and the Trauma of Indigenous Enjoyment in The Chant of Jimmie Blacksmithsmall AustLit logo Antipodes
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