Issue Details: First known date: 2009 no. 5 October 2009 2009 of Journal of Community, Citizen's and Third Sector Media and Communication (3CMedia) est. 2005
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Contents

* Contents derived from the 2009 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Hope Vale Digital Storytelling Project Using the Camera: Telling Stories Our Way, Samia Goudie , Natalie Davey , 2009 single work criticism

'In 2007 the Hope Vale – Pelican project (now in its 6th year) inaugurated a digital storytelling component into the program. The project is a partnership between Hope Vale Elders (championed by Des and Estelle Bowen) and Pelican Expeditions. In 2007 Pelican Expeditions and the Elders invited Samia Goudie, a researcher and digital storytelling consultant, to pilot a digital storytelling project with Natalie Davey, a founding member of Pelican Expeditions. The Hope Vale – Pelican (HVP) project is mainly run out of Connie’s beach, Cape Flattery in Cape York. The success of this pilot resulted in the design and implementation of a larger digital storytelling media camp being embedded as a co-creative practice in the 2008 Hope Vale – Pelican project. This paper seeks to tell the story of this process and explore some of the early findings of both the benefits and problems of using digital storytelling to promote social and emotional wellbeing and caring for country with an Indigenous community within a trans-disciplinary partnership project.' (Abstract)

Using Digital Storytelling to Capture Responses to the Apology, Jean Burgess , Helen Klaebe , 2009 single work essay
'This article discusses a pilot project that adapted the methods of digital storytelling and oral history to capture a range of personal responses to the official Apology to Australia’s Indigenous Peoples delivered by Prime Minister Kevin Rudd on 13 February 2008. The project was an initiative of State Library of Queensland and resulted in a small collection of multimedia stories, incorporating a variety of personal and political perspectives. The article describes how the traditional digital storytelling workshop method was adapted for use in the project, and then proceeds to reflect on the outcomes and continuing life of the project. The article concludes by suggesting that aspects of the resultant model might be applied to other projects carried out by cultural institutions and community-based media organizations. ...'
Connecting through Digital Storytelling, Helen Simondson , 2009 single work essay

'What is particular to the culture of our time is the pace at which everything changes. The moving image is entrenched into every part of our lives. We not only rely on it to entertain us; we also expect to be able to interact with it and participate in its making, whether as consumer or content producer. The moving image has become the ubiquitous lens through which we view the world, and through it we explore and understand ourselves, other cultures and societies, experiences and places. It helps us shape our identity.'

'The Australian Centre for the Moving Image is a cultural institution situated in Melbourne and dedicated to the moving image. It is a place where the moving image is presented in all its forms, with a charter to research, create, collect, exhibit, teach, nurture and advocate the use of the moving image in all areas of society. It is one of the few centres of its kind world wide.'

'This paper charts the development of the Digital Storytelling program at ACMI. In doing so, it captures some of the understandings gleaned as a result of being one of the first cultural institutions to develop a major user-generated content program, and identifies the challenges for the organisation in ensuring this program stays relevant in a rapidly changing media landscape. ...'

Connecting Communities and the Environment through Media : Doing, Saying and Seeing Along Traditional Knowledge Revival Pathways, Peta-marie Standley , 2009 single work essay

'With the proliferation of global information and communications technologies (ICT), the concept of community no longer has geographical limitations. Yet, from ecological and social perspectives, connecting people and communities to their immediate environment is now more urgent than ever. In this paper we show how an Indigenous led initiative reaches across geographical and cultural gulfs by using digital media in ways that are profoundly embedded in the values associated with specific places. We refer to a grass-roots Indigenous created and led organization that with support from numerous partnerships across Australia has for many years used media to convey cultural and environmental values. The methodology of Traditional Knowledge Revival Pathways (TRKP), co-created according to the ancient knowledge system of the Kuku Thaypan Traditional Owner Elders in Cape York Peninsula, illustrates the way media can be used to traverse disciplinary boundaries and connect both Indigenous and non-Indigenous people to places.'

'We start by describing how the simple act of picking up a camera to film this ancient knowledge system led to the creation of Traditional Knowledge Revival Pathways (TKRP). Then, we explain how the methods of using various media are anchored in the Indigenous sense of country and interconnectedness, embedded in the spiritual, philosophical and ideological perspectives of Traditional Knowledge. We outline processes that scaffold these methods, such as the way media is controlled by participating Indigenous communities and incorporated into practice and research in environmental management. This leads us to discussing some of the roles of different media in reflecting on practices, within and between communities, and translating and communicating across worldviews. We conclude by indicating how using media can connect people to place and inspire their reflection upon the mediation by media in these connections. We propose this provides new insights for improving media tools, training methods and approaches to solution making to issues of environmental, social and economic concern. ...'

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Last amended 4 Oct 2016 12:29:36
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