AustLit

Intimate review.

For this revue celebrating Phillip Street Theatre's first birthday, most of the sketches and songs were sourced from the three previous productions. The Sydney Morning Herald critic, A. A., writes that as

'an attempt to re-present the wittier items from past shows... it does not quite succeed. Why? Is this critic just a churlish pedant likely to be bored by humour below the standard of Aristophenes and Moliere? Or has some of the material gone stale with repetition? Or are there no fresh personalities coming along to interpret it with the necessary lean and high spirits?' (14 May 1955, p.18).

According the Herald's review, the highlight was John Meillon 'jerking and throbbing with tremulous frenzy, [providing] an extraordinarily clever comment on Johnnie Ray's brand of exhibitionism; it was more than mere mimicry; it was true and telling caricature'. Special mention is also made of Lyle O'Hara, 'bizarre and grotesque', wailing about the mysteries of Baghdad; Gordon Chater in bib and golden curls, analysing an infant's psychology; and Ray Barrett going into a soft shoe routine on the theme of the Elizabethan Theatre being situated in Newtown.

Intimate revue.

Devised in order to celebrate the Phillip Street Theatre's fifth birthday, The Birthday Show comprised a smattering of new material along with popular favourites from previous productions, notably Top of the Bill, Hit and Run, Hat Trick, Two to One, Mr and Mrs, Around the Loop, Cross Section, and Bats.

Songs interpolated into the production included 'Oh What a Year it's Been' and 'Trite Fantastic' (McKellar); 'The Oracle' (Rasdall/Goldman); 'The World is My Ashtray', 'Tiger Moth', and 'Noel' (McKellar/Mendoza); 'Katoomba' (McKellar/Mulcahy); 'Soap Opera', 'Breakfast Delight', and 'White Carnations' (McKellar/Donovan); 'Golden Hair', 'You Came from Outer Space', 'Beside Myself', and 'Wow of a Frau' (McKellar/Donovan/Mulcahy); 'Bread Love and Teddy Bears' (McKellar/Frazer); 'Queen's Square' (Nettheim); 'Letter Song' (Taylor/Mulcahy); 'Circulation', 'Cuckoo', and 'Call of the Wild' (Donovan/Mulcahy); 'April in Fairbanks' (Grand); 'Woy Boy' (Cranko/Swan); 'Don't Let Him Know You Too Well' (Cranko/Addison); 'Surly Girls' (Flanders/Swan); 'Bedside Manners' (Frazer); and 'Happy Birthday' (Mendoza).

Intimate revue.

Comprising songs and sketches from the Phillip Street Theatre revues staged over the previous six years, this production also included several new faces amongst the cast.

According to a review in the Sydney Morning Herald, the highlights were a sketch titled 'Soap Opera'; Jill Perryman in 'The World is My Ashtray (and you would be my next cigarette...)'; 'Swan Like', a sketch 'where wooden swans creak and ballet is reduced to controlled and humorous gymnastics'; and 'Cinderella on Ice', described as a devastating crack at the slippery surface of pantomime' (28 April 1960, p.6).