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y separately published work icon On Rage Germaine Greer , Carlton : Melbourne University Press , 2008 2008 single work essay y
y separately published work icon Warren Mundine Nic Brasch (interviewer), 2018 2018 single work interview podcast y
y separately published work icon Generations Stolen Matthew Sherwood , Sydney : Matthew Sherwood , 2017 2017 selected work multimedia biography poetry y
form y separately published work icon Barbara Larissa Behrendt , ( dir. Larissa Behrendt et. al. ) ,agent Australia : Pursekey Productions , 2017 2017 single work film/TV y
Apology Preserved single work column
— Appears in: Koori Mail , 4 April no. 673 2018 2018 (p. 17)
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y separately published work icon On Rage Germaine Greer , Melbourne : Melbourne University Press , 2018 2008 single work essay
y separately published work icon On Rage Germaine Greer , single work essay
— Appears in: The On-Nibus Carlton : Melbourne University Press , 2009 2009
Owning the Science : The Power of Partnerships David Lambert , single work essay
— Appears in: Griffith Review , no. 60 2018 2018 (p. 244-255)
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'More Blokes, More Bloody Water!' : Tim Winton's Breath Salhia Ben-Messahel , single work criticism
— Appears in: Antipodes , June vol. 26 no. 1 2012 2012 (p. 13-17)
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Stolen and Lost to Netherworld David Stratton , single work review
— Appears in: The Weekend Australian , 24-25 June 2023 2023 (p. 9)
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Forgiveness 'Requires Action' James Blackwell , single work column
— Appears in: Koori Mail , 23 February no. 770 2022 2022 (p. 6)
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[Review] Blakwork Dan Disney , single work review
— Appears in: World Literature Today , Winter vol. 93 no. 1 2019 2019 (p. 87)
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Witnessing the Apology Juno Gemes , single work prose
— Appears in: Australian Aboriginal Studies , no. 1 2008 2008 (p. 115-123)
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Kangaroos, Petrol, Joints and Sacred Rocks : Australian Cinema Decolonized Kerstin Knoph , single work criticism
— Appears in: Studies in Australasian Cinema , October vol. 7 no. 2-3 2013 2013 (p. 189-200)
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The Apology Harold Hunt , single work correspondence
— Appears in: Newswrite : The NSW Writers' Centre Magazine , March no. 177 2008 2008 (p. 19)
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Dear Nightmare’ : Chloe Hooper’s The Engagement as Gothic Romance Peter Kirkpatrick , single work criticism
— Appears in: Southerly , vol. 77 no. 3 2017 2017 (p. 85-105)
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y separately published work icon Witnessing Australian Stories : History, Testimony and Memory in Contemporary Culture Kelly Jean Butler , New Brunswick : Transaction Publishers , 2013 2010 single work thesis
Lowitja O'Donoghue b. 1932 d. 4 Feb 2024 (5 works by fr. 1997)

Born in Ndulkana, Dr Lowitja O'Donoghue AC CBE DSG was a member of the Stolen Generations and was taken away from her mother at the age of two. O'Donoghue and her two sisters were taken to Colebrook Children's Home in the Flinders Ranges, South Australia. At sixteen, she left the Home and began working as a domestic servant. Unhappy with domestic service after two years, O'Donoghue began a nursing traineeship. The money she had accumulated in her trust fund while working as a domestic servant was going to be used for purchasing her uniforms but she was denied access.

O'Donoghue experienced discrimination in many forms during her training to be a nurse. She joined the Aborigines Advancement League to lobby for change and eventually gained entry to begin training as a nurse at Royal Adelaide Hospital, where, despite the racial discrimination at the time, she reached the position of Charge sister.

On numerous occasions the Protector of Aborigines contacted her, offering her exemption from being classified as Aboriginal, which she declined. In 1960, O'Donoghue decided to travel and left for India with the Baptist Overseas Mission where she worked with the Mother Theresa program. It was also there that her ambition to be reunited with her mother was realised. In 1962, she returned to Australia and was eventually reunited with her mother, and worked as a trained nurse and welfare officer in remote Aboriginal communities. It was during her 10 years in this work that she built a reputation for her ability to advocate for Indigenous justice.

According to The Encyclopedia of Women & Leadership (2014), 'From 1975 to 1979, she held the senior position of regional Director of the office for South Australia - the first woman to be a regional director of a federal department - and was responsible for the local implementation of national Aboriginal welfare policy.'

During the 1990s, she became involved in several organisations working toward the advancement of Aboriginal rights, and chaired the Aboriginal Hostels Limited, the Aboriginal Development Commission and the National Aboriginal Congress.

In 2000, Lowitja played a key advisory role as chairperson of the Sydney Olympic Games National Indigenous Advisory Committee and carried the Olympic torch through Uluru during the Australian leg of the Olympic Torch Relay. In 2008, Lowitja provided counsel to Prime Minister Kevin Rudd regarding the National Apology to the Stolen Generations. She was chosen as one of 150 great South Australians by a panel of The Advertiser senior writers to celebrate the 150th Anniversary of The Advertiser newspaper, 12 April 2008. In 2017, she, along with Tom Calma and Galarrwuy Yunupingu, was included in Australia Post's 'Indigenous Leaders' series of stamps, part of the 2017 Legends Commemorative Stamps series.

During her career she had received many awards in recognition of her dedication and as an advocate of reconciliation and Aboriginal rights. In 2009, O'Donoghue received the NAIDOC Lifetime Achievement Award, and 'was declared an Australian National Living Treasure in 1998. ... In 1977 was the first Aboriginal woman to be award the AO, and received a CBE, an AC and honorary doctorates from universities around Australia' (Standish, 2014), including Murdoch University, the University of South Australia, Australian National University, Queensland University of Technology (QUT), University of Adelaide, and Flinders University, where she was also a visiting Fellow.

The annual Lowitja O'Donoghue Oration has been held at the Don Dunstan Foundation since her inaugural oration in 2007: each orator is chosen by O'Donoghue, and the oration takes place in Reconciliation Week. She was also patron of the Lowitja Institute, a research institute for Aboriginal and Torres Strait Islander health and well being.

Sources:

http://www.naidoc.org.au/ (Sighted 14 July 2009).

Standish, Anne, 2014 O'Donoghue, Lowitja (Lois) (1932 - ). In The Encyclopedia of Women & Leadership in Twentieth-Century Australia. Available http://www.womenaustralia.info/leaders/biogs/WLE0354b.htm (Sighted 24-25 May 2016).

form y separately published work icon The Apology ( dir. Sarah Spillane ) ,agent 2008 2008 single work film/TV y
y separately published work icon The Protectors : A Journey through Whitefella Past Stephen Gray , Crows Nest : Allen and Unwin , 2011 2011 single work biography y
Priscilla vs Kevin 07, King of the Desert Bill Wright , single work column
— Appears in: Interstellar Ramjet Scoop , April no. 242 2008 2008 (p. 7-8)
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y separately published work icon Sorry Day Coral Vass , David Leffler (illustrator), Canberra : National Library of Australia , 2018 2018 single work picture book children's y
Sorry Business : The Road to the Apology Robert Manne , single work essay
— Appears in: The Monthly , March no. 32 2008 2008 (p. 22-31)
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The Hardest Word Matthew Condon , single work criticism
— Appears in: The Courier-Mail , 7 - 8 February 2009 2009 (p. 16-22)
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Matilda House b. 1944 (1 works by fr. 2003) Matilda House was part of a group of people from the Stolen Generations survivors who met with Prime Minister Kevin Rudd at a presentation of a painting to Rudd as a gift to say thank you on behalf of both Indigenous and non-Indigenous Australians for Rudd's apology to the Stolen Generations in 2008. She is the cousin of Isabell Coe.

House has said of herself:
I call myself a 'Canberry' woman. That's the name of the people that came and are from here [the Canberra area]. I guess, to me, it means an identity. And I feel that by having my identity being the, you know, the matriarch of my family, it helps to establish, you know, the generations that are going to be coming up. So, it gives them that foothold. You know, that footprint. And footprint's what's country's all about and what your identity's all about.

Source: 'The Future of the Tent Embassy', Message Stick, Friday 25 November 2005, 6 pm ABC1, transcript. (Sighted http://www.abc.net.au/tv/messagestick/stories/s1518943.htm 9/5/2012)
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