When Ladies Meet single work   poetry   "Goodbye Mama, you made me what I am"
Is part of Cleft Kate Lilley 2012 sequence poetry
  • Author: Kate Lilley http://www.poetrylibrary.edu.au/poets/lilley-kate
Issue Details: First known date: 2012 2012
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y Ladylike Kate Lilley , Melissa Hardie , (cover artist), Crawley : UWA Publishing , 2012 Z1865010 2012 selected work poetry (taught in 4 units)

    'The title poem of this collection ('Ladylike') draws on pamphlets associated with the notorious case of the bigamist Mary Carleton, who was executed in 1673, and texts contemporary with it; women from Sigmund Freud's case studies provide the material for the series of poems, 'Round Vienna'; and the sequence 'Cleft' is dedicated to Kate Lilley's mother, Australian literary giant Dorothy Hewett.

    'Throughout this collection, Kate mines the areas of her scholarly specialisation - the early modern period - as well as contemporary popular culture and matches it with some of the twentieth century's enduring interests such as psychoanalysis and Freud.

    'Ladylike is a valuable addition to Australian poetry at large and will be of interest to readers of poetry, early modern history, Freud and early psychoanalysis.' (From the publisher's website.)

    Crawley : UWA Publishing , 2012
    pg. 34
  • Appears in:
    y The Turnrow Anthology of Contemporary Australian Poetry John Kinsella (editor), Monroe : LA Desperation Press Turnrow Books , 2014 8049508 2014 anthology poetry

    'This anthology...is a negotiation of many spaces. That of poets and their work, the idea of "Australia", the idea of being "represented" in a different demographic (America), personal or textual issues with anthologiser, who else is being included (though none outside myself and the publishers have knowledge of this until publication). Vitally, whoat matters is the conversations that arise from the anthology going public, and how the poets and readers deal with this community that has been organically and artificially induced.' John Kinsella (Source: backcover)

    Monroe : LA Desperation Press Turnrow Books , 2014
    pg. 323-324
  • Appears in:
    y Active Aesthetics : Contemporary Australian Poetry Daniel Benjamin (editor), Claire Marie Stancek (editor), United States of America (USA) Australia : Tuumba Press Giramondo Publishing , 2016 9514521 2016 anthology poetry

    'Poetry. A collection of work by innovative Australian poets whose work shares an interest in "a primary art of transformation in language" (from the introduction). All contributors traveled to the San Francisco Bay Area in April 2016 to participate in a four-day meeting with similarly-committed U.S.-based poets. The title of the event is also that of the anthology, which its editors intend as an extension and prolongation of the April gathering. ACTIVE AESTHETICS brings news across the Pacific and across the equator of Australia's current radical poetry and poetics. As is true of new poetry in the US, much of the work here reflects the complexity and urgency of political thinking within the aesthetic sphere.'

    Source: Publisher's blurb.

    United States of America (USA) Australia : Tuumba Press Giramondo Publishing , 2016
Last amended 24 Jan 2013 10:48:50
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