AustLit
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
AbstractHistoryArchive Description
The gods are dead, but will not be forgotten. When Mymnir flees Ragnarok, she hopes to escape all that bound her to Ásgarðr—a heedless pantheon, a domineering brother, and her neglectful father-master, Óðinn. But the white raven, a being of memory and magic, should know that the past is not so easily left behind. No matter how far she flies, she cannot evade her family. From fire giants to whispering halls, disappearing children to evening-wolves, fairy hills to bewitched cypress trees, and talking heads to moonshiners of a special sort, Midnight and Moonshine takes readers on a journey from ninth century Vinland to America’s Deep South in the present day. Source: book dustjacket.
Contents
* Contents derived from the
Greenwood,
Joondalup area,
Northern Perth,
Perth,
Western Australia,:Ticonderoga Publications
, 2012 version. Please note that other versions/publications may contain different contents. See the Publication Details.
- Seeds, single work short story fantasy horror (p. 17-27)
- Burning Seaweed for Salt, single work short story fantasy horror (p. 29-43)
- The Morning is Wiser Than the Evening, single work short story fantasy horror (p. 45-74)
- The Third Who Went With Us, single work short story fantasy (p. 77-91)
- To That Man, My Bitter Counsel, single work short story fantasy horror (p. 93-118)
- Kveldúlfr, single work short story fantasy horror (p. 121-139)
- The Red Wedding, single work short story fantasy horror (p. 141-159)
- Midnight, single work short story fantasy horror (p. 161-186)
- Of the Demon and the Drum, single work short story fantasy horror (p. 189-213)
- Warp and Weft, single work short story fantasy horror (p. 215-238)
- Bella Beaufort Goes to War, single work short story fantasy horror (p. 239-253)
- Prohibition Blues, single work short story fantasy (p. 255-281)
- Seven Sleepers, single work short story fantasy horror (p. 283-311)
- Afterword, single work column (p. 313-314)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
'A Crowd at Your Back' : Fantasy Fandom and Small Press
2019
single work
criticism
— Appears in: Media International Australia , February vol. 170 no. 1 2019; (p. 115-125) 'This article presents a study of a model of textual production that situates genre fiction, specifically fantasy fiction, within its community and industry contexts. I argue that Australian fantasy ‘fandom’ operates in some ways like a research and development space for the literature it consumes, through allowing, enabling and enthusiastically supporting – both ethically and materially – a thriving small press culture. Fandom is known for its passionate investments in texts, and those investments are rarely passive. The fantasy genre community is already oriented towards prosumption, and small presses afford specific opportunities for writers to work in specific ways, enriching and developing their individual craft and the genre as a whole.' (Publication abstract) -
Afterword
2012
single work
column
— Appears in: Midnight and Moonshine 2012; (p. 313-314)
-
Afterword
2012
single work
column
— Appears in: Midnight and Moonshine 2012; (p. 313-314) -
'A Crowd at Your Back' : Fantasy Fandom and Small Press
2019
single work
criticism
— Appears in: Media International Australia , February vol. 170 no. 1 2019; (p. 115-125) 'This article presents a study of a model of textual production that situates genre fiction, specifically fantasy fiction, within its community and industry contexts. I argue that Australian fantasy ‘fandom’ operates in some ways like a research and development space for the literature it consumes, through allowing, enabling and enthusiastically supporting – both ethically and materially – a thriving small press culture. Fandom is known for its passionate investments in texts, and those investments are rarely passive. The fantasy genre community is already oriented towards prosumption, and small presses afford specific opportunities for writers to work in specific ways, enriching and developing their individual craft and the genre as a whole.' (Publication abstract)
Awards
Last amended 17 Jan 2024 07:14:50
Export this record