AustLit logo

AustLit

Issue Details: First known date: 2011... 2011 The Sydney Trinity: Performance Space and the Creation of a ‘Matrix of Sensibility’
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Due to a combination of circumstances, the dominant theatre culture of Sydney takes place in what architects call „adaptive re-use‟ buildings. Most of the theatres of Sydney are located in disused industrial buildings, large and small: a livery stable, a factory, a boat shed, a finger wharf, a bond store, a railway repair shop. These are not the venues for one-off, site-specific productions but are, on the contrary, the location of Sydney‟s culturally consecrated mainstream theatre practice.' Source: Guy McAuley.

Notes

  • Includes discussion of The Wharf and SB Stables Theatre.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 7 Jun 2018 16:19:09
71-87 The Sydney Trinity: Performance Space and the Creation of a ‘Matrix of Sensibility’small AustLit logo Australasian Drama Studies
X