Issue Details: First known date: 2012 2012
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'The short story in Australia and New Zealand has flourished from the last decade of the nineteenth century onwards, and has been strictly bound to orality - yarns, yarn-spinning (Bennet 5) - from its early days, as the speech cadence of a usually sympathetic storyteller, either involved in the narrative, or simply an eye-witness or a bystander, interacting with listeners / readers, influences its time-scale, rhythm, tempo and structure.

A few significant stories by representative short-fiction writers from the late nineteenty century well into the mid-twentieth century - Australian Henry Lawson, Barbara Baynton, Vance Palmer, and New Zealand Frank Sargeson - though reflecting specific colonial realities and issues in a period of nation building, will be discussed here for their contribution to a relatively new genre, with specific regard to their treatment of time, changing from a traditional to a gradually experimental mode where they are sometimes forerunners or aware of modernist techniques.' (105)

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    y Time and the Short Story Maria Teresa Chialant (editor), Marina Lops (editor), Berne : Peter Lang , 2012 Z1852990 2012 anthology criticism 'The short story as an autonomous genre has called the attention of both writers and literary critics with theoretical concerns over the last two centuries. It is a form of writing that has met the favour of readers and publishers alike: because of its very brevity, it can be consumed in a short time, and so come up to a reader's need of either escapist or serious literature; it can be practiced, like the novel, according to different narrative modalities: from popular genres, which satisfy the demands of the literary market, to experimental writing. Finally, as a self-contained form, it works well at a didactic level; in British and American universities, for instance, short stories are generally studied in Creative Writing courses. The essays included in the present volume deal with short stories belonging to various literatures in English (and not only), and focus on time, which is looked at from different angles: as the theme, or motif, of a text; as a narrative structure which can be approached in narratological terms, with neat distinctions between the time of story and the time of discourse, between writing time and reading time; as history, merging into memory and myth.' Source: (Sighted 04/04/2012). Berne : Peter Lang , 2012 pg. 105-118
Last amended 5 Jul 2012