Upfield: The Man Who Started It single work   criticism  
Issue Details: First known date: 1932-1984 1932-1984
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AbstractHistoryArchive Description

American author Hillerman describes the influence Upfield has had on his own detective fiction.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y A Royal Abduction Arthur W. Upfield , London : Hutchinson , 1932 Z1175072 1932 single work novel crime During a state visit to Australia in 1928, Her Royal Highness Princess Natalie, heiress to the throne of Rolandia in Europe, is abducted from the transcontinental train at Cook on the Nullarbor Plain by a gang lead by American gangsters, Earle Lawrence and Van Horton. They hide her in caves near Eucla on the Great Australian Bight until the search is called off and ransom is arranged. San Francisco : Dennis McMillan , 1984 pg. v-vii
  • Appears in:
    y Investigating Arthur Upfield : A Centenary Collection of Critical Essays Kees De Hoog (editor), Carol Hetherington (editor), Newcastle upon Tyne : Cambridge Scholars Press , 2012 Z1832688 2012 anthology criticism 'Arthur Upfield created Detective Inspector Napoleon Bonaparte (Bony) who features in twenty-nine novels written from the 1920s to the the 1960s, mostly set in the Australian Outback. He was the first Australian professional writer of crime detection novels. Upfield arrived in Australia from England on 4 November 1911, and this collection of twenty-two critical essays by academics and scholars has been published to celebrate the centenary of his arrival. The essays were all written after Upfield’s death in 1964 and provide a wide range of responses to his fiction. The contributors, from Australia, Europe and the United States, include journalist Pamela Ruskin who was Upfield’s agent for fifteen years, anthropologists, literary scholars, pioneers in the academic study of popular culture such as John G. Cawelti and Ray B. Browne, and novelists Tony Hillerman and Mudrooroo whose own works have been inspired by Upfield’s. The collection sheds light on the extent and nature of critical responses to Upfield over time, demonstrates the type of recognition he has received and highlights the way in which different preoccupations and critical trends have dealt with his work. The essays provide the basis for an assessment of Upfield’s place not only in the international annals of crime fiction but also in the literary and cultural history of Australia' (Publisher website sighted 15/12/2011). Newcastle upon Tyne : Cambridge Scholars Press , 2012 pg. 28-29
Last amended 19 Dec 2011
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