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AbstractHistoryArchive Description
'Jane Campion, one of the most celebrated auters of modern cinema, was the first female director to be awarded the prestigious Palme d'Or. In this first detailed account of Jane Campion's career, Verhoeven examines how contemporary film directors 'fashion' themselves as auters- through their personal interactions with the media, in their choice of projects, emphasis on particular filmmaking techniques and finally in the promotion of their films. Through analysis of key scenes from Campion's films such as The Piano, In the Cut, Sweetie and Holy Smoke, Verhoeven introduces the key debates surrounding this controversial and often experimental director. Features a career overview, a filmography and an extended interview with Campion on her approach to creativity.' (Publisher's blurb)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
“Authorising” Jane Campion : Jane Campion by Deb Verhoeven
2009
single work
review
— Appears in: Senses of Cinema , no. 52 2009;
— Review of Jane Campion 2008 single work biography
-
“Authorising” Jane Campion : Jane Campion by Deb Verhoeven
2009
single work
review
— Appears in: Senses of Cinema , no. 52 2009;
— Review of Jane Campion 2008 single work biography
Last amended 17 Jun 2011 09:20:23
Subjects:
- The Piano 1993 single work film/TV
- Sweetie 1989 single work film/TV
- Holy Smoke 1999 single work film/TV
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