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AbstractHistoryArchive Description
'Sam has recently moved to an isolated mining camp with her man. While he is at work on the minefields Sam realises that she is not alone.' Source: www.nfsa.afc.gov.au (Sighted 18/6/08)
Production Details
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Produced by Kath Shelper
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Con-Juring the Phantom : Spectral Memories
2010
single work
criticism
— Appears in: Darkness Subverted : Aboriginal Gothic in Black Australian Literature and Film 2010; (p. 116-146) -
Spectrality in Indigenous Women’s Cinema: Tracey Moffatt and Beck Cole
2008
single work
criticism
— Appears in: The Journal of Commonwealth Literature , vol. 43 no. 1 2008; (p. 7-21) This paper addresses two recent Aboriginal ghost stories produced by Aboriginal film-makers Tracey Moffatt (beDevil) and Beck Cole (Plains Empty), in order to examine the relationship of these films to a type of spectral rewriting of the Australian nation state. This paper examines the role of spectrality as a revisionist process that exorcizes, but also celebrates, the ghosts that underpin and/or undermine narratives of belonging and place and investigates the dynamic potential of Indigenous film, not so much as a device that eradicates colonial encounters and their postcolonial legacy, but as texts that unsettle and contest, that empower and initiate debate by way of dismantling, or at least diminishing, dominant representations of Indigenous identities. -
Beck Cole
2007
single work
non-fiction
— Appears in: Dreaming in Motion : Celebrating Australia's Indigenous Filmmakers 2007; (p. 26-27) Contains Beck Cole's short film biography, her filmography, details on the films: Plains Empty and Wirriya - Small Boy, and a small commentary by Cole on filmmaking.
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Beck Cole
2007
single work
non-fiction
— Appears in: Dreaming in Motion : Celebrating Australia's Indigenous Filmmakers 2007; (p. 26-27) Contains Beck Cole's short film biography, her filmography, details on the films: Plains Empty and Wirriya - Small Boy, and a small commentary by Cole on filmmaking. -
Spectrality in Indigenous Women’s Cinema: Tracey Moffatt and Beck Cole
2008
single work
criticism
— Appears in: The Journal of Commonwealth Literature , vol. 43 no. 1 2008; (p. 7-21) This paper addresses two recent Aboriginal ghost stories produced by Aboriginal film-makers Tracey Moffatt (beDevil) and Beck Cole (Plains Empty), in order to examine the relationship of these films to a type of spectral rewriting of the Australian nation state. This paper examines the role of spectrality as a revisionist process that exorcizes, but also celebrates, the ghosts that underpin and/or undermine narratives of belonging and place and investigates the dynamic potential of Indigenous film, not so much as a device that eradicates colonial encounters and their postcolonial legacy, but as texts that unsettle and contest, that empower and initiate debate by way of dismantling, or at least diminishing, dominant representations of Indigenous identities. -
Con-Juring the Phantom : Spectral Memories
2010
single work
criticism
— Appears in: Darkness Subverted : Aboriginal Gothic in Black Australian Literature and Film 2010; (p. 116-146)
Last amended 29 Aug 2022 15:32:26
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