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This article explores how intentions of, and invitations to, decolonization are implicated in the elaboration and transformation of orality, storytelling, and of the text in Aboriginal poetry. It examines the strategies deployed when the text lives on the page and leaves the page through performance, and pays particular attention to poems written by Romaine Moreton and Kerry Reed-Gilbert.

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  • Appears in:
    y Commonwealth Commonwealth : Essays and Studies vol. 28 no. 1 Autumn 2005 Z1321801 2005 periodical issue 2005 pg. 53-63
Last amended 29 Oct 2006
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