Ordained single work   poetry   "THROUGH jewelled windows in the walls"
  • Author: Ada Cambridge http://www.poetrylibrary.edu.au/poets/cambridge-ada
Issue Details: First known date: 1887 1887
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y Unspoken Thoughts Ada Cambridge , London : Kegan Paul, Trench , 1887 Z821511 1887 selected work poetry Campbell : Australian Defence Force Academy. Dept. of English , 1988 pg. 126-132
  • Appears in:
    y The Oxford Book of Australian Women's Verse Susan Lever (editor), South Melbourne : Oxford University Press , 1995 Z566500 1995 anthology poetry biography South Melbourne : Oxford University Press , 1995 pg. 13-15

Works about this Work

Ada Cambridge, G.F. Cross, and 'The Modern Pulpit' Robert J. Dingley , 1992 single work criticism
— Appears in: Australian Literary Studies , May vol. 15 no. 3 1992; (p. 217-220)
Unspoken Thoughts : A Reassessment of Ada Cambridge Margaret Bradstock , 1989 single work criticism
— Appears in: Australian Literary Studies , May vol. 14 no. 1 1989; (p. 51-65)
Bradstock responds to previous critics who argued that Cambridge yielded to convention and limited her thought. Bradstock argues that Cambridge entertained quite unconventional attitudes in regards to sexual morality and theology and expressed them in her prose and poetry. Although revision of poems from Unspoken Thoughts made The Hand in the Dark less radical, Cambridge revisited many of her early themes in later fiction.
Ada Cambridge, G.F. Cross, and 'The Modern Pulpit' Robert J. Dingley , 1992 single work criticism
— Appears in: Australian Literary Studies , May vol. 15 no. 3 1992; (p. 217-220)
Unspoken Thoughts : A Reassessment of Ada Cambridge Margaret Bradstock , 1989 single work criticism
— Appears in: Australian Literary Studies , May vol. 14 no. 1 1989; (p. 51-65)
Bradstock responds to previous critics who argued that Cambridge yielded to convention and limited her thought. Bradstock argues that Cambridge entertained quite unconventional attitudes in regards to sexual morality and theology and expressed them in her prose and poetry. Although revision of poems from Unspoken Thoughts made The Hand in the Dark less radical, Cambridge revisited many of her early themes in later fiction.
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