y Australasian Drama Studies periodical issue   assertion
Alternative title: ADS
Issue Details: First known date: 2004 no. 45 October 2004 of Australasian Drama Studies est. 1982
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* Contents derived from the 2004 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Australian Music Theatre : Continuity and Hybridity, Keith Gallasch , Laura Ginters , 2004 single work criticism (p. 3-9)
'A Comfortable Society' : The 1950s and Opera in Australia, Michael Halliwell , 2004 single work criticism (p. 10-29)
Larry Sitsky's 'The Golem' : The Esoteric Opera, Antony Ernst , 2004 single work criticism (p. 30-42)
Matricide and the Female Divine, Helen Rusak , 2004 single work criticism
The paper examines the collaboration between the librettist Kathleen Mary Fallon and composer Elena Kats-Chernin that resulted in a ninety-minute music theatre work Matricide - the Musical, staged in 1998 by Melbourne's Chamber Made opera.
(p. 43-71)
Operatic Tradition and Ambivalence in Chamber Made Opera's Recital, Jonathan Marshall , 2004 single work criticism (p. 73-96)
Mata Hari and the Missionary Position : Australian Double Agents in the Seduction of Randai, Doug Leonard , Indija N. Mahjoeddin , Adrian Sherriff , 2004 single work criticism (p. 119-136)
'Australian-ness' in Musical Theatre : A Bran Nue Dae for Australia?, Peter Wyllie Johnston , 2004 single work criticism (p. 157-179)
Untitled, Helena Grehan , 2004 single work review
— Review of Playing Australia : Australian Theatre and the International Stage 2003 anthology criticism ;
(p. 198-201)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 20 Jan 2005
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