5637470554363094367.jpg
Cover image courtesy of publisher.
y Three Dog Night single work   novel  
Issue Details: First known date: 2003 2003
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AbstractHistoryArchive Description

'Is it possible to be too much in love? After ten years in London, Martin Blackman returns to Adelaide with his wife and fellow psychiatrist Lucy, blissfully happy. But then he introduces her to his old friend Felix, once a brilliant surgeon, now barred from practising and changed beyond recognition. In the complex triangle that develops, Martin must decide just how far he is prepared to go for Felix. So begins the darkest of journeys for all three of them...' (Publication summary)

Notes

  • Other formats: Also sound recording.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Camberwell, Camberwell - Kew area, Melbourne - Inner South, Melbourne, Victoria,: Viking , 2003 .
      5637470554363094367.jpg
      Cover image courtesy of publisher.
      Extent: 341p.
      ISBN: 0670893986

Works about this Work

Metaphysician: Trying to Read Peter Goldsworthy's Prescription Noel Henricksen , 2011 single work criticism
— Appears in: Journal of Commonwealth Literature , June vol. 46 no. 2 2011; (p. 257-273)
'As a medical practitioner, Peter Goldsworthy has been confronted, all too frequently, with human suffering, morbidity and mortality: he wrestles with their existential meaning in his poetry, essays and stories. Death, in Goldsworthy's works, is ubiquitous: it becomes an engine for tension between belief and scepticism, for contention between the legacy of his childhood Methodism and his professional grounding in scientific method. Goldsworthy describes incidents and presents arguments which explore the feasibility that we are not ephemeral but potentially eternal: séances and hoped-for hauntings; near-death experiences ... explained physiologically; cloned Tasmanian tigers, and a doctor's self-insemination with the DNA of Jesus; God-centred science fiction, and a convincing postulate for resurrection expressed in the language of mathematics and quantum mechanics. Detached and irreverent, Goldsworthy dissects and analyses, but avoids circumscription or dogmatism. He desires, at best, some proof that there is a dimension beyond the physical; he feels some sadness that a scientific mind is deprived of a certainty of the metaphysical; and he expresses hope that "perhaps, just perhaps ..."' (Author's abstract).
The Wide Brown Land : Literary Readings of Space and the Australian Continent Anthony J. Hassall , 2007 single work criticism
— Appears in: Australia : Making Space Meaningful 2007; (p. 45-53)
'In his 1987 poem "Louvres" Les Murray speaks of journeys to 'the three quarters of our continent/set aside for mystic poetry" (2002, 239), a very different reading of Australia's inner space to A.D. Hope's 1939 vision of it as '[t]he Arabian desert of the human mind" (1966, 13) In this paper I review the opposed, contradictory ways in which the inner space of Australia has been perceived by Australian writers, and note changes in those literary perceptions, especially in the last fifty years. In that time what was routinely categerised, by Patrick White among others, as the "Dead heart" (1974, 94) - the disappointing desert encountered by nineteenth=century European explorers looking for another America -has been re-mythologised as the "Red Centre," the symbolic, living heart of the continent. What Barcroft Boake's 1897 poem hauntingly portrayed as out where the dead men lie" (140,-2) is now more commonly imagined as a site of spiritual exploration and psychic renewal, a place where Aboriginal identification with the land is respected and even shared. This change was powerfully symbolised in 1985 by the return to the traditional Anangu owners of the title deeds to the renamed Uluru, the great stone sited at the centre of the continent; but while this re-mythologising has been increasingly influential in literary readings, older, more negative constructions of that space as hostile and sterile have persisted, so that contradictory attitudes towards the inner space of Australia continue to be expressed. In reviewing a selection of those readings, I am conscious that they both distort and influence broader cultural perceptions. I am also aware that literary reconstructions of the past reflect both the attitudes of the time depicted and the current attitudes of the writer, and that separating the two is seldom simple. Finally, I am conscious of the connections between literary readings and those in art and film of the kind documented by Roslynn Hanes in her 1998 study Seeking the Centre: the Australian Desert in Literature, Art and Film, and those in television and advertising. I have however, with the exception of the Postscript, limited my paper to literary readings, with an emphasis on works published since Haynes's study.' (Author's abstract p. 45)
Human Stories Phil Brown , 2005 single work column
— Appears in: Brisbane News , 2 - 8 March no. 528 2005; (p. 27)
Re-mapping the Heterotopic: A Study of Peter Goldsworthy's Three Dog Night Deb Narayan Bandyopadhyay , 2005 single work criticism
— Appears in: Journal of the Department of English , vol. 32 no. 1-2 2005; (p. 101-111) Australian Studies Now : An Introductory Reader in Australian Studies 2007; (p. 49-60)
A Failure of Craft Ben Kostival , 2005 single work review
— Appears in: Antipodes , June vol. 19 no. 1 2005; (p. 102)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Literary Names Give Award Fresh Life James Hall , 2004 single work column
— Appears in: The Australian , 30 April 2004; (p. 15)
The Courier-Mail Book of the Year Rosemary Sorensen , 2004 single work column
— Appears in: The Courier-Mail , 11 September 2004; (p. 10)
Long Time in the Loving Christopher Bantick , 2004 single work review
— Appears in: The West Australian , 23 February 2004; (p. 6)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Six Prizes but Only One Award Malcolm Knox , 2004 single work review
— Appears in: The Sydney Morning Herald , 17 June 2004; (p. 14)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel ; Slow Water Annamarie Rustom Jagose 2003 single work novel ; Seven Types of Ambiguity Elliot Perlman 2003 single work novel ; My Life as a Fake Peter Carey 2003 single work novel ; The Great Fire Shirley Hazzard 2003 single work novel ; Elizabeth Costello : Eight Lessons J. M. Coetzee 2003 single work novel
Knox reviews each of the six novels nominated for the 2004 Miles Franklin Literary Award.
Untitled Scott Whitmont , 2004 single work review
— Appears in: Australian Bookseller & Publisher , June vol. 83 no. 11 2004; (p. 18)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Affairs of the Heart Sussan Khadem , 2004 single work review
— Appears in: Overland , Summer no. 177 2004; (p. 95-96)

— Review of Lessons from the Heart John Clanchy 2003 single work novel ; Sibyl's Cave Catherine Padmore 2004 single work novel ; Three Dog Night Peter Goldsworthy 2003 single work novel
Novel Lifestyle Chris Brice , 2003 single work column
— Appears in: The Advertiser , 20 September 2003; (p. 15)
Cooking from an Old Recipe David Gilchrist , 2003 single work column
— Appears in: The Canberra Times , 27 September 2003; (p. 3a)
Deep and Meaningful Journey to Oblivion Helen Elliott , 2003 single work review
— Appears in: The Weekend Australian , 27-28 September 2003; (p. 7)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Good Medicine Katharine England , 2003 single work review
— Appears in: The Advertiser , 4 October 2003; (p. 11)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
When Cultures Collide Nicola Walker , 2003 single work review
— Appears in: The Age , 4 October 2003; (p. 5)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
A Better Class of Self-Deception James Ley , 2003 single work review
— Appears in: The Sydney Morning Herald , 18-19 October 2003; (p. 15)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Corrosive Passion Giselle Bastin , 2003 single work review
— Appears in: The Adelaide Review , November no. 242 2003; (p. 24)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Rumbles in the Zeitgeist Jose Borghino , 2003 single work review
— Appears in: Australian Book Review , November no. 256 2003; (p. 46-47)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Scenes from a Southern Land Peter Pierce , 2003-2004 single work review
— Appears in: The Bulletin , 16 December - 13 January vol. 121 no. 6403 2003-2004; (p. 136-137)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel ; The Colour of Walls Janet Kelly 2003 single work novel ; Homecoming Adib Khan 2003 single work novel ; The Touch Colleen McCullough 2003 single work novel ; A Few Short Notes on Tropical Butterflies John Murray 2003 selected work short story ; Scarecrow Matthew Reilly 2003 single work novel ; The Secret Cure Sue Woolfe 2003 single work novel ; The Boy Julian Davies 2003 single work novel
Deep and Meaningful Journey to Oblivion Helen Elliott , 2003 single work review
— Appears in: The Weekend Australian , 27-28 September 2003; (p. 7)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Good Medicine Katharine England , 2003 single work review
— Appears in: The Advertiser , 4 October 2003; (p. 11)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
When Cultures Collide Nicola Walker , 2003 single work review
— Appears in: The Age , 4 October 2003; (p. 5)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
A Better Class of Self-Deception James Ley , 2003 single work review
— Appears in: The Sydney Morning Herald , 18-19 October 2003; (p. 15)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Corrosive Passion Giselle Bastin , 2003 single work review
— Appears in: The Adelaide Review , November no. 242 2003; (p. 24)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Rumbles in the Zeitgeist Jose Borghino , 2003 single work review
— Appears in: Australian Book Review , November no. 256 2003; (p. 46-47)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Scenes from a Southern Land Peter Pierce , 2003-2004 single work review
— Appears in: The Bulletin , 16 December - 13 January vol. 121 no. 6403 2003-2004; (p. 136-137)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel ; The Colour of Walls Janet Kelly 2003 single work novel ; Homecoming Adib Khan 2003 single work novel ; The Touch Colleen McCullough 2003 single work novel ; A Few Short Notes on Tropical Butterflies John Murray 2003 selected work short story ; Scarecrow Matthew Reilly 2003 single work novel ; The Secret Cure Sue Woolfe 2003 single work novel ; The Boy Julian Davies 2003 single work novel
Long Time in the Loving Christopher Bantick , 2004 single work review
— Appears in: The West Australian , 23 February 2004; (p. 6)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Six Prizes but Only One Award Malcolm Knox , 2004 single work review
— Appears in: The Sydney Morning Herald , 17 June 2004; (p. 14)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel ; Slow Water Annamarie Rustom Jagose 2003 single work novel ; Seven Types of Ambiguity Elliot Perlman 2003 single work novel ; My Life as a Fake Peter Carey 2003 single work novel ; The Great Fire Shirley Hazzard 2003 single work novel ; Elizabeth Costello : Eight Lessons J. M. Coetzee 2003 single work novel
Knox reviews each of the six novels nominated for the 2004 Miles Franklin Literary Award.
Untitled Scott Whitmont , 2004 single work review
— Appears in: Australian Bookseller & Publisher , June vol. 83 no. 11 2004; (p. 18)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Affairs of the Heart Sussan Khadem , 2004 single work review
— Appears in: Overland , Summer no. 177 2004; (p. 95-96)

— Review of Lessons from the Heart John Clanchy 2003 single work novel ; Sibyl's Cave Catherine Padmore 2004 single work novel ; Three Dog Night Peter Goldsworthy 2003 single work novel
A Failure of Craft Ben Kostival , 2005 single work review
— Appears in: Antipodes , June vol. 19 no. 1 2005; (p. 102)

— Review of Three Dog Night Peter Goldsworthy 2003 single work novel
Novel Lifestyle Chris Brice , 2003 single work column
— Appears in: The Advertiser , 20 September 2003; (p. 15)
Cooking from an Old Recipe David Gilchrist , 2003 single work column
— Appears in: The Canberra Times , 27 September 2003; (p. 3a)
Literary Names Give Award Fresh Life James Hall , 2004 single work column
— Appears in: The Australian , 30 April 2004; (p. 15)
The Courier-Mail Book of the Year Rosemary Sorensen , 2004 single work column
— Appears in: The Courier-Mail , 11 September 2004; (p. 10)
Human Stories Phil Brown , 2005 single work column
— Appears in: Brisbane News , 2 - 8 March no. 528 2005; (p. 27)
Re-mapping the Heterotopic: A Study of Peter Goldsworthy's Three Dog Night Deb Narayan Bandyopadhyay , 2005 single work criticism
— Appears in: Journal of the Department of English , vol. 32 no. 1-2 2005; (p. 101-111) Australian Studies Now : An Introductory Reader in Australian Studies 2007; (p. 49-60)
The Wide Brown Land : Literary Readings of Space and the Australian Continent Anthony J. Hassall , 2007 single work criticism
— Appears in: Australia : Making Space Meaningful 2007; (p. 45-53)
'In his 1987 poem "Louvres" Les Murray speaks of journeys to 'the three quarters of our continent/set aside for mystic poetry" (2002, 239), a very different reading of Australia's inner space to A.D. Hope's 1939 vision of it as '[t]he Arabian desert of the human mind" (1966, 13) In this paper I review the opposed, contradictory ways in which the inner space of Australia has been perceived by Australian writers, and note changes in those literary perceptions, especially in the last fifty years. In that time what was routinely categerised, by Patrick White among others, as the "Dead heart" (1974, 94) - the disappointing desert encountered by nineteenth=century European explorers looking for another America -has been re-mythologised as the "Red Centre," the symbolic, living heart of the continent. What Barcroft Boake's 1897 poem hauntingly portrayed as out where the dead men lie" (140,-2) is now more commonly imagined as a site of spiritual exploration and psychic renewal, a place where Aboriginal identification with the land is respected and even shared. This change was powerfully symbolised in 1985 by the return to the traditional Anangu owners of the title deeds to the renamed Uluru, the great stone sited at the centre of the continent; but while this re-mythologising has been increasingly influential in literary readings, older, more negative constructions of that space as hostile and sterile have persisted, so that contradictory attitudes towards the inner space of Australia continue to be expressed. In reviewing a selection of those readings, I am conscious that they both distort and influence broader cultural perceptions. I am also aware that literary reconstructions of the past reflect both the attitudes of the time depicted and the current attitudes of the writer, and that separating the two is seldom simple. Finally, I am conscious of the connections between literary readings and those in art and film of the kind documented by Roslynn Hanes in her 1998 study Seeking the Centre: the Australian Desert in Literature, Art and Film, and those in television and advertising. I have however, with the exception of the Postscript, limited my paper to literary readings, with an emphasis on works published since Haynes's study.' (Author's abstract p. 45)
Metaphysician: Trying to Read Peter Goldsworthy's Prescription Noel Henricksen , 2011 single work criticism
— Appears in: Journal of Commonwealth Literature , June vol. 46 no. 2 2011; (p. 257-273)
'As a medical practitioner, Peter Goldsworthy has been confronted, all too frequently, with human suffering, morbidity and mortality: he wrestles with their existential meaning in his poetry, essays and stories. Death, in Goldsworthy's works, is ubiquitous: it becomes an engine for tension between belief and scepticism, for contention between the legacy of his childhood Methodism and his professional grounding in scientific method. Goldsworthy describes incidents and presents arguments which explore the feasibility that we are not ephemeral but potentially eternal: séances and hoped-for hauntings; near-death experiences ... explained physiologically; cloned Tasmanian tigers, and a doctor's self-insemination with the DNA of Jesus; God-centred science fiction, and a convincing postulate for resurrection expressed in the language of mathematics and quantum mechanics. Detached and irreverent, Goldsworthy dissects and analyses, but avoids circumscription or dogmatism. He desires, at best, some proof that there is a dimension beyond the physical; he feels some sadness that a scientific mind is deprived of a certainty of the metaphysical; and he expresses hope that "perhaps, just perhaps ..."' (Author's abstract).
Last amended 28 Oct 2014 16:08:33
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