Mills gives an overview of Australian author Gary Crew's work, which she describes as 'characterized by doubt' and offering endings which remain unresolved rather than the formulaic 'happy endings' which permeate conventional children's stories (25). Crew has won many literary awards for his children's fiction, however his stories are decidely ambiguous and post-modern in their 'celebration of doubt' (34), which attracts criticism on the grounds that the texts are too 'difficult and demanding for young children' (25). Mills offers a succinct and insightful discussion which explores how Crew's narratives of child-adolescent maturation play with the conventions of the gothic-horror genre by refusing 'the guarantee of a revelation to come' (34). Mills says 'At his strongest, he brings to the reader's notice the human need to make sense of the world. The power of his fiction derives not from him meeting such needs but from playing upon them' (25).