AustLit logo

AustLit

The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

In reviewing the premiere, the Empire's theatre critic accorded the overall production much praise, noting, in particular, Scott's intelligible plot, parodies, puns, and local hits, and the exceptionally good scenery produced by W. J. Wilson, 'a gentleman well-known to the Sydney public as a first-class scenic artist' (Empire 28 December 1874, p.3).

The story begins with Robinson Crusoe being torn from the arms of his betrothed, Polly, and press-ganged on the orders of Captain Will Atkins (who is also in love with Polly). With Crusoe aboard Atkin's ship, the demons Tyrant and Oppression, surrounded by their demonical slaves, hatch a plan to persecute him. Fortunately for Crusoe, Fairy Liberty manages to overhear the conspirators and 'in a pretty panorama shows how she will bring him safely through his troubles and dangers' (Empire 28 December 1874, p.3). When Crusoe is shipwrecked, he begins to lament his fate, but then meets up with four animals who not only keep him company but also help him survive. He later discovers footprints on the sand but, at almost the same time, he is discovered by a party of 'war-whooping' Sugeeans. His meeting with King Thackem-Whackem-boo and his sons Ratty Tim and Lanky Joe does not go well, and it is only through the intervention of Friday that Crusoe is saved from the Sugeeans' knives. Friday subsequently becomes Crusoe's head cook and handy man. In the meantime, Captain Atkins has also been wrecked upon the island and is in dispute with the islanders over his beautiful captive, Polly. When he finds out that Polly is on the island, Crusoe orchestrates a rescue and manages to defeat his foe in a terrific fight, thereby saving his beloved from both Atkins and the Sugeeans. The Fairy Liberty then manages to foil the evil plans of the demons Tyrant and Oppression by removing all the good people from danger and taking them to her own island home.

The incidents of the pantomime were played out in seven settings, a transformation and harlequinade:

Scene 1 The Old Jetty at Hull,

Scene 2 The Tyrant's Home (and Grand Panorama),

Scene 3 Bowers of Brilliant Beauty (and Grand Ballet),

Scene 4 The Island,

Scene 5 Crusoe's Hut,

Scene 6 The Lee Shore and Atkins' Wreck (and Grand Coconut Ballet),

Scene 7 The Island Home, and the Grand Transformation Scene.

Harlequinade - This was set in three scenes: Scene 1 A Well-known Street in the City, Scene 2 Somewhere in George Street, and Scene 3 The Grotto of Gloom.

Notes

  • Described in the Empire as 'a local song-writer', Edwin Lewis Scott is also said to have 'tried his virgin hand at travesty' with this production' (26 December 1874, p.3).

Production Details

  • 1874: Queen's Theatre, Sydney, 26 December 1874 - 25 January 1875

    • Lessee/Manager Edmund Holloway; Assistant Manager Lachlan McGowan; Music Director/Arranger W. H. Spiller; Scenic Art W. J. Wilson; Costumes Miss Stapleton; Director of Comic Scenes J. H. Flexmore and Joe Tolano.
    • Cast incl. Mrs Lachlan McGowan (Robinson Crusoe), Lachlan McGowan (Will Atkins), Joe Tolano (Friday), Julia Merton (Pretty Polly Shortcut, the belle of the ball and the pride of Sugee), Amy Chambers, Dan Briggs (Thackem-Whackem-boo, King of Sugee), James Hasker (The Tyrant/Ratty Tim), J. H. Martin (Oppression/ Lanky Joe), H. Jerdon (Old Daddy Shortcut, the father of Polly) C. Brown (Sgt Listrom), J. H. Flexmore, Mr Burbank, Jenny Sharpe (Liberty), J. Merton; Harlequinade - Amy Chambers (Columbine), Mr Coulson (Harlequin), Joe Tolano (Pantaloon), J. H. Flexmore (Clown), C. Brown (Policeman).
    • 23 performances.*
    • The roles of The Dog, The Cat, The Goat, and The Parrot were billed as being played by Mr Barker, Miss Mouser, Mr Horne, and Mr Scratchpole, respectively. Similarly, the characters Darlinghurst and Cockatoo were billed as being played by Messrs Burglar and Garrotter.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Queen's Theatre 1874 single work review
— Appears in: The Sydney Morning Herald , 28 December 1874; (p. 5)

— Review of Robinson Crusoe ; Or, Harlequin Friday and the King of Sugee E. Lewis Scott , 1874 single work musical theatre
The Christmas Pantomimes : The Queen's Theatre 1874 single work review
— Appears in: The Empire , 28 December no. 8294 1874; (p. 3)

— Review of Robinson Crusoe ; Or, Harlequin Friday and the King of Sugee E. Lewis Scott , 1874 single work musical theatre
The Christmas Pantomimes : The Queen's Theatre 1874 single work review
— Appears in: The Empire , 28 December no. 8294 1874; (p. 3)

— Review of Robinson Crusoe ; Or, Harlequin Friday and the King of Sugee E. Lewis Scott , 1874 single work musical theatre
Queen's Theatre 1874 single work review
— Appears in: The Sydney Morning Herald , 28 December 1874; (p. 5)

— Review of Robinson Crusoe ; Or, Harlequin Friday and the King of Sugee E. Lewis Scott , 1874 single work musical theatre

PeriodicalNewspaper Details

Note:

This entry has been sourced from research undertaken by Dr Clay Djubal into Australian-written popular music theatre (ca. 1850-1930). See also the Australian Variety Theatre Archive

Details have also been derived in part from the Annotated Calendar of Plays Premiered in Australia: 1870-1890.

Last amended 1 Apr 2014 07:07:23
X