y Blackwater Days selected work   short story   horror  
Issue Details: First known date: 2000 2000
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AbstractHistoryArchive Description

Blackwater Days, is a collection of seven linked short stories set in and around the Blackwater Psychiatric Hospital in New South Wales' Hunter Valley. The stories, inspired by Shaun Tan's painting 'Black Water', were written in a creative burst in mid-1996.

Notes

  • Dedication: To my fellow Poets-at-Arms Rob Brown, Russell Scott and Bill White.

Contents

* Contents derived from the North Perth, Inner Perth, Perth, Western Australia,: Eidolon Publications , 2000 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Downloading, Terry Dowling , 2000 single work short story horror (p. 1-28)
Beckoning Nightframe, Terry Dowling , Shaun Tan (illustrator), 1996 single work short story horror (p. 29-58)
Basic Black, Terry Dowling , 1978 single work short story horror (p. 59-88)
The Saltimbanques, Terry Dowling , 2000 single work short story horror (p. 89-120)
Jenny Come to Play, Terry Dowling , 1997 single work short story science fiction horror (p. 121-156)
Light from the Deep Pavilion, Terry Dowling , 2000 single work short story horror (p. 157-180)
Blackwater Days, Terry Dowling , 2000 single work short story horror (p. 181-207)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

The Australian Horror Novel Since 1950 James Doig , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127)
According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
Blackwater Days Bill Congreve , 2001 single work review
— Appears in: Aurealis : Australian Fantasy & Science Fiction , no. 27-28 2001; (p. 228-229)

— Review of Blackwater Days Terry Dowling 2000 selected work short story
Terry Dowling and Blackwater Days Terry Dowling , 2000 single work autobiography
— Appears in: Swancon 2000 2000; (p. 42-43)
Horror Colin Steele , 2000 single work review
— Appears in: Canberra Sunday Times , 24 December 2000; (p. 35)

— Review of The Resurrectionists Kim Wilkins 2000 single work novel ; Blackwater Days Terry Dowling 2000 selected work short story
Horror Colin Steele , 2000 single work review
— Appears in: Canberra Sunday Times , 24 December 2000; (p. 35)

— Review of The Resurrectionists Kim Wilkins 2000 single work novel ; Blackwater Days Terry Dowling 2000 selected work short story
Blackwater Days Bill Congreve , 2001 single work review
— Appears in: Aurealis : Australian Fantasy & Science Fiction , no. 27-28 2001; (p. 228-229)

— Review of Blackwater Days Terry Dowling 2000 selected work short story
Terry Dowling and Blackwater Days Terry Dowling , 2000 single work autobiography
— Appears in: Swancon 2000 2000; (p. 42-43)
The Australian Horror Novel Since 1950 James Doig , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127)
According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
Last amended 9 Jul 2015 09:02:55
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