The Pool single work   poetry   "He has given her this room of mirrors, in which she is bored;"
  • Author: Diane Fahey http://www.poetrylibrary.edu.au/poets/fahey-diane
Issue Details: First known date: 1985 1985
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y Meanjin vol. 44 no. 3 Spring 1985 Z595545 1985 periodical issue 1985 pg. 326
  • Appears in:
    y Friendly Street Poetry Reader no.11 Elaine Golding (editor), Peter McFarlane (editor), Unley : Friendly Street Poets , 1987 Z212904 1987 anthology poetry Unley : Friendly Street Poets , 1987 pg. 32
  • Appears in:
    y Metamorphoses Diane Fahey , Sydney : Dangaroo Press , 1988 Z102708 1988 selected work poetry Sydney : Dangaroo Press , 1988 pg. 24
  • Appears in:
    y The Oxford Book of Australian Love Poems Jennifer Strauss (editor), Melbourne : Oxford University Press , 1993 Z203381 1993 anthology poetry war literature satire humour romance Melbourne : Oxford University Press , 1993 pg. 206
  • Appears in:
    y Into the Nineties: Post-Colonial Women's Writing Shirley Chew (editor), Lars Jensen (editor), Anna Rutherford (editor), Sydney : Dangaroo Press , 1994 Z43278 1994 anthology short story poetry prose criticism biography Sydney : Dangaroo Press , 1994 pg. 105
  • Appears in:
    y Kunapipi vol. 16 no. 1 1994 Z603993 1994 periodical issue 1994 pg. 105
  • Appears in:
    y The Oxford Book of Australian Women's Verse Susan Lever (editor), South Melbourne : Oxford University Press , 1995 Z566500 1995 anthology poetry biography South Melbourne : Oxford University Press , 1995 pg. 178-179
  • Appears in:
    y Feminist Poetics of the Sacred : Creative Suspicions Frances Devlin-Glass (editor), Lyn McCredden (editor), Oxford : Oxford University Press , 2001 Z920858 2001 anthology criticism An interdisciplinary volume presenting a multicultural study of ancient and contemporary texts that explore the relationship between women and the sacred. Using modern critical methods such as feminist theory, poststructuralism, and the new historicisms, the contributors examine how the ideas in these texts are being reworked within and beyond different religious traditions. The roles, actions, writings, and beliefs of women in pre-Christian, Christian, Islamic, indigenous, and neo-pagan contenxts are considered. Building on three decades of feminist research, the contributions explore such areas as goddess worship, indigenous spiritualities, ecofeminism, biblical hermeneutics, Christian and Islamic mysticism, subversive poetics, and mythological systems of the mainstream and outside it. Creative Suspicions : A Feminist Poetics of the Sacred Oxford : Oxford University Press , 2001 pg. 229
Last amended 20 Dec 2002 13:18:03
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