ySelected Poems Gwen Harwood,
North Ryde:Angus and Robertson,1985Z4432721985selected work poetry A revision of Selected Poems, first published by Angus and Robertson in 1975. It incorporates poems from The Lion's Bride, 1981.North Ryde:Angus and Robertson,1985
yAustralian Verse : An Oxford AnthologyJohn Leonard
Melbourne:Oxford University Press,1998Z4612071998anthology poetry (taught in 1 units)A thorough survey of poetry by Australians in English, beginning with a selection of contemporary work by younger poets, and going backward in time to the early colonial period. In addition to poems in the literary tradition, it indudes performance poetry, convict songs and old bush ballads. An extensive selection has been provided from the work of five major twentieth-century poets: Les Murray, Gwen Harwood, Judith Wright, A.D. Hope and Kenneth Slessor. Several features are provided to assist the reader: the date of first publication of each poem is provided; footnotes explain unfamiliar words and allusions; and brief biographical notes assist in locating each poet in his or her place in time.Melbourne:Oxford University Press,1998
ySelected Poems : A New EditionGwen Harwood,
Victor Harbor:Halcyon Press,2001Z8241882001selected work poetry Details of the changes made in compiling this selection are outlined in the editor's introduction . Some poems not appearing in previous selections, as well as some unpublished poems, have been added; some poems previously appearing have been omitted. Textual emendations have been made to some works.Victor Harbor:Halcyon Press,2001
'Some of the best, most significant writing produced in Australia over more than two centuries is gathered in this landmark anthology. Covering all genres - from fiction, poetry and drama to diaries, letters, essays and speeches - the anthology maps the development of one of the great literatures in English in all its energy and variety.
'The writing reflects the diverse experiences of Australians in their encounter with their extraordinary environment and with themselves. This is literature of struggle, conflict and creative survival. It is literature of lives lived at the extremes, of frontiers between cultures, of new dimensions of experience, where imagination expands.
'This rich, informative and entertaining collection charts the formation of an Australian voice that draws inventively on Indigenous words, migrant speech and slang, with a cheeky, subversive humour always to the fore. For the first time, Aboriginal writings are interleaved with other English-language writings throughout - from Bennelong's 1796 letter to the contemporary flowering of Indigenous fiction and poetry - setting up an exchange that reveals Australian history in stark new ways.
'From vivid settler accounts to haunting gothic tales, from raw protest to feisty urban satire and playful literary experiment, from passionate love poetry to moving memoir, the Macquarie PEN Anthology of Australian Literature reflects the creative eloquence of a society.
'Chosen by a team of expert editors, who have provided illuminating essays about their selections, and with more than 500 works from over 300 authors, it is an authoritative survey and a rich world of reading to be enjoyed.' (Publisher's blurb)
Allen and Unwin have a YouTube channel with a number of useful videos on the Anthology.
'Gwen Harwood (1920-1995) is one of the best loved Australian poets of the twentieth century - and a fierce prankster, who published poems under half-a-dozen names and identities. By turns poignant, sensuous and mischievous, passionately musical, her poetry is marked by sure intelligence and a quicksilver, anti-authoritarian wit.
'This new selection of her poetry from 1943 to her death makes the full range of the work accessible for the first time to poetry-lovers in the northern hemisphere. With an introduction by the leading Harwood critic Gregory Kratzmann and the Australian poet Chris Wallace-Crabbe, who corresponded with Harwood, the selection includes hitherto little-known work along with poems which have become part of the central canon of Australian poetry.' (From the publisher's website.)
yAustralian Poetry Since 1788Geoffrey Lehmann
Sydney:University of New South Wales Press,2011Z18038462011anthology poetry (taught in 1 units)'A good poem is one that the world can’t forget or is delighted to rediscover. This landmark anthology of Australian poetry, edited by two of Australia’s foremost poets, Geoffrey Lehmann and Robert Gray, contains such poems. It is the first of its kind for Australia and promises to become a classic. Included here are Australia’s major poets, and lesser-known but equally affecting ones, and all manifestations of Australian poetry since 1788, from concrete poems to prose poems, from the cerebral to the naïve, from the humorous to the confessional, and from formal to free verse. Translations of some striking Aboriginal song poems are one of the high points. Containing over 1000 poems from 170 Australian poets, as well as short critical biographies, this careful reevaluation of Australian poetry makes this a superb book that can be read and enjoyed over a lifetime.' (From the publisher's website.)Sydney:University of New South Wales Press,2011
'Falling and Flying: Poems of Ageing is the first collection of its kind to be published in Australia. The editors have selected a broad range of Australian poems which explore the universal experience and effects of ageing. Whether the poets are witnessing themselves or their parents and friends succumb to the years, they speak with great precision and insight into illness, frailty, death, loss, grief, and retirement as well as the joys and the wisdom that late maturity can bring. There is humour as well as sadness in this fine and important collection, which includes the work of some of Australia’s best loved poets, a volume to be cherished by readers of any age.' (Publication summary)
In Her Father's House : Gwen Harwood as a Sacramental PoetSarah Golsby-Smith,
2013single work criticism — Appears in:
32013;'This article considers the ways in which it is possible to interpret Gwen Harwood's poetry not only through the lens of what has been termed "the sacred", but more specifically as sacramental poetry whose form and content pursues the grace of the Eucharist. While the Eucharist brings with it notions of received power - and a male and Eurocentric locus of that power - this article considers the ways in which Harwood's poetry reconfigures and recentres the sacraments to render them distinctly female and distinctly Australian. This article goes further to suggest that Harwood's poetry could be said to be more theologically orthodox in this pursuit than a first guess might suggest, tracing Harwood's sacramentalism to other writers for whom a serious consideration of the Eucharist necessitates local and corporeal iterations of the Last (and first) Supper. A consideration is given to several of Harwood's poems, bearing out a discussion of Harwood's interest in the sacraments as not only epistemological and phenomenological, but fundamentally poetic.' (Publication abstract)