AustLit
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Latest Issues
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Untitled
1999
single work
review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 13 no. 3 1999; (p. 19)
— Review of Mama's Babies 1998 single work novel -
Untitled
1998
single work
review
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , August vol. 42 no. 3 1998; (p. 39)
— Review of Mama's Babies 1998 single work novel -
Writing on the Edge: Gary Crew's Fiction
1998
single work
criticism
— Appears in: Papers : Explorations into Children's Literature , December vol. 8 no. 3 1998; (p. 25-35) Mills gives an overview of Australian author Gary Crew's work, which she describes as 'characterized by doubt' and offering endings which remain unresolved rather than the formulaic 'happy endings' which permeate conventional children's stories (25). Crew has won many literary awards for his children's fiction, however his stories are decidely ambiguous and post-modern in their 'celebration of doubt' (34), which attracts criticism on the grounds that the texts are too 'difficult and demanding for young children' (25). Mills offers a succinct and insightful discussion which explores how Crew's narratives of child-adolescent maturation play with the conventions of the gothic-horror genre by refusing 'the guarantee of a revelation to come' (34). Mills says 'At his strongest, he brings to the reader's notice the human need to make sense of the world. The power of his fiction derives not from him meeting such needs but from playing upon them' (25). -
'Mama's Babies' by Gary Crew
1998
single work
review
— Appears in: Viewpoint : On Books for Young Adults , Spring vol. 6 no. 3 1998; (p. 30-31)
— Review of Mama's Babies 1998 single work novel -
Untitled
1998
single work
review
— Appears in: Magpies : Talking About Books for Children , May vol. 13 no. 2 1998; (p. 37)
— Review of Mama's Babies 1998 single work novel
-
Untitled
1998
single work
review
— Appears in: Reading Time : The Journal of the Children's Book Council of Australia , August vol. 42 no. 3 1998; (p. 39)
— Review of Mama's Babies 1998 single work novel -
Adolescent Dreams
1998
single work
review
— Appears in: Australian Book Review , August no. 203 1998; (p. 43-44)
— Review of Mama's Babies 1998 single work novel ; Sad Boys 1998 single work novel -
Untitled
1999
single work
review
— Appears in: Fiction Focus : New Titles for Teenagers , vol. 13 no. 3 1999; (p. 19)
— Review of Mama's Babies 1998 single work novel -
Untitled
1998
single work
review
— Appears in: Classroom , vol. 18 no. 5 1998; (p. 14)
— Review of Mama's Babies 1998 single work novel -
Untitled
1998
single work
review
— Appears in: Magpies : Talking About Books for Children , May vol. 13 no. 2 1998; (p. 37)
— Review of Mama's Babies 1998 single work novel -
Writing on the Edge: Gary Crew's Fiction
1998
single work
criticism
— Appears in: Papers : Explorations into Children's Literature , December vol. 8 no. 3 1998; (p. 25-35) Mills gives an overview of Australian author Gary Crew's work, which she describes as 'characterized by doubt' and offering endings which remain unresolved rather than the formulaic 'happy endings' which permeate conventional children's stories (25). Crew has won many literary awards for his children's fiction, however his stories are decidely ambiguous and post-modern in their 'celebration of doubt' (34), which attracts criticism on the grounds that the texts are too 'difficult and demanding for young children' (25). Mills offers a succinct and insightful discussion which explores how Crew's narratives of child-adolescent maturation play with the conventions of the gothic-horror genre by refusing 'the guarantee of a revelation to come' (34). Mills says 'At his strongest, he brings to the reader's notice the human need to make sense of the world. The power of his fiction derives not from him meeting such needs but from playing upon them' (25).
Last amended 21 Dec 2001 13:31:17
Settings:
- 1800-1899
Export this record