AustLit

'In northern Iceland, 1829, Agnes Magnusdottir is condemned to death for her part in the brutal murder of two men.

'Agnes is sent to wait out the time leading to her execution on the farm of District Officer Jon Jonsson, his wife and their two daughters. Horrified to have a convicted murderess in their midst, the family avoids speaking with Agnes. Only Toti, the young assistant reverend appointed as Agnes's spiritual guardian, is compelled to try to understand her, as he attempts to salvage her soul. As the summer months fall away to winter and the hardships of rural life force the household to work side by side, Agnes's ill-fated tale of longing and betrayal begins to emerge. And as the days to her execution draw closer, the question burns: did she or didn't she?

'Based on a true story, Burial Rites is a deeply moving novel about personal freedom: who we are seen to be versus who we believe ourselves to be, and the ways in which we will risk everything for love. In beautiful, cut-glass prose, Hannah Kent portrays Iceland's formidable landscape, where every day is a battle for survival, and asks, how can one woman hope to endure when her life depends upon the stories told by others?' (Publisher's blurb)

'Set in England between the wars, this novel tells the story of an aristocratic family, a house, a mysterious death and a way of life that vanished forever, told in flashback by a woman who witnessed it all and kept a secret for decades.

'Grace Bradley went to work at Riverton House as a servant when she was just a girl, before the First World War. For years her life was inextricably tied up with the Hartford family, most particularly the two daughters, Hannah and Emmeline. In the summer of 1924, at a glittering society party held at the house, a young poet shot himself. The only witnesses were Hannah and Emmeline and only they - and Grace - know the truth.

'In 1999, when Grace is ninety-eight years old and living out her last days in a nursing home, she is visited by a young director who is making a film about the events of that summer. She takes Grace back to Riverton House and reawakens her memories. Told in flashback, this is the story of Grace's youth during the last days of Edwardian aristocratic privilege shattered by war, of the vibrant twenties and the changes she witnessed as an entire way of life vanished forever.

'The novel is full of secrets - some revealed, others hidden forever, reminiscent of the romantic suspense of Daphne du Maurier. It is also a meditation on memory, the devastation of war and a beautifully rendered window into a fascinating time in history.' (Publisher's blurb)

'Evelyn is a clever orphan at the Fountainbridge Institute for Destitute Girls. Enchanted by a cheerful lamplighter who fires the streetlamp outside her window each evening, she mesmerizes the other girls with flights of fancy. In a time before Freudian awareness of sexuality and the subconscious mind, such tales are forbidden by the institute's governor, who warns Evelyn to cease her nocturnal storytelling.

'Evelyn defies him - and is cast out of the orphanage and sacrificed to a shadowy figure claiming to be her long-lost father. Who is this man, and why does he lock Evelyn away in a hunting lodge?

'Years later, the mutilated body of a professor of ecclesiastical law turns up on one of Edinburgh's finest streets; the grave of a famous colonel is ravaged; a shady entrepreneur is slaughtered while dashing for a train; and a retired lighthouse keeper is ripped to shreds while walking his dog -- all this after Evelyn, now a young woman, has reappeared in the city.

'What connects the victims? And what of Evelyn, anguished and appealing, who repeatedly claims to have dreamed the murders in great detail - each time blaming a mysterious "lamplighter"?

'Leading the official investigation is Carus Groves, a conceited yet effective police inspector desperate to cap his unremarkable career with a sensational case. Heading up the unofficial investigation is a disillusioned professor of logic and metaphysics, Thomas McKnight, and his assistant, Joseph Canavan, a strapping young gravedigger. Using reason, intuition, philosophy, and luck, these men race to solve the murders and unveil the source of Evelyn's torment, and in so doing penetrate the very gates of Hell.'

Book Jacket. Scribner, 2003. (Libraries Australia record).

"The narrator of Youth, a student in the South Africa of the 1950s, has long been plotting an escape from his native country: from the stifling love of his mother, from a father whose failures haunt him, and from what he is sure is impending revolution. Studying mathematics, reading poetry, saving money, he tries to ensure that when he arrives in the real world, wherever that may be, he will be prepared to experience life to its full intensity, and transform it into art." "Arriving at last in London, however, he finds neither poetry nor romance. Instead he succumbs to the monotony of life as a computer programmer, from which random, loveless affairs offer no relief. Devoid of inspiration, he stops writing. An awkward colonial, a constitutional outsider, he begins a dark pilgrimage in which he is continually tested and continually found wanting" (Source: Viking publisher's blurb)

'As a young and outspoken priest, Luca Rossini was brutally tortured in an Argentine military prison, and then nursed back to health by the beautiful Isabel.

'Exiled to Rome to avoid scandal, Rossini becomes a cardinal and the pope's confidante. He is admired and feared by his colleagues, for he understands the Church, speak frankly and knows how to present his ancient faith to the media. When the pope becomes gravely ill and a successor must be chosen, Rossini takes a central role.

'In the midst of the political intrigue that surrounds the selection of a new pope, Isabel arrives in Rome—along with Rossini's daughter. Suddenly, Rossini must confront painful memories of Argentina and the scandalous passion of his long-suspended love affair.'

Source: Publisher's blurb (Allen & Unwin, 2017).