AustLit

'A small bushfire, but nasty enough for ice cooks to abandon their lab. Fatal, too. But when the bodies in the burnt-out Mercedes prove to be a pair of Sydney hitmen, Inspector Hal Challis's inquiries into a local ice epidemic take a darker turn. Meanwhile, Ellen Destry, head of the new sex crimes unit, finds herself not only juggling the personalities of her team but hunting a serial rapist who leaves no evidence behind. The seventh instalment in Garry Disher's celebrated Peninsula Crimes series sets up new challenges, both professional and personal, for Challis and Destry. And Disher delivers with all the suspense and human complexity for which readers love him.' (Publication summary)

'In this compelling reimagining of the Orpheus story, Leela May travels into an underworld of kidnapping, torture and despair in search of her lover, Mishka.

'Leela is a mathematical genius who escaped her hardscrabble Southern home town to study in Boston. It's there that she meets a young Australian musician, Mishka. From the moment she first hears him play, busking in a subway, his music grips her, and they quickly become lovers.

'Then one day Leela is picked up off the street and taken to an interrogation centre somewhere outside the city. There has been an 'incident', an explosion on the underground; terrorists are suspected, security is high. And her old childhood friend Cobb is conducting a very questionable interrogation. Over the years Cobb has never forgotten Leela and the secrets she knows.

'Now he reveals to her that Mishka may not be all he seems. That there may be more to him than growing up in the Daintree rainforest in northern Queensland in an eccentric musical family. Leela has already discovered on her own account that some nights when Mishka claims to be at the music lab are actually spent at a cafe. A cafe, Cobb tells her, known to be a terrorist contact point.

'Who can she believe?

'And then Mishka disappears.' (Publisher's blurb)

'It is 1854, and with the certainty of land behind her, Sarah flees her home for the uncertainties of life in the new colony. In steerage, she joins the other unmarried women, where the horrors of their close confinement bring an unraveling of secrets no one can control. Sarah endures, longing for her mother's forgiveness and the sweetness of her cousin Richard's breath. As she draws closer to her new land, she becomes increasingly haunted by her own tale and the letter home she cannot write. Moving between the voyage in which pigs run through flooded living quarters to the hallucinatory visions induced by heat and doldrums, Christine Balint's astonishing debut novel brings us close to a time when the world was still a place to be discovered. Shortlisted for the Vogel Literary Award. "Dazzling.... A meticulous history and a beautifully crafted fiction.... Compelling reading." ' Courier Mail  

'Miss Hester Harper, middle-aged and eccentric, brings Katherine into her emotionally impoverished life. Together they sew, cook gourmet dishes for two, run the farm, make music and throw dirty dishes down the well. One night, driving along the deserted track that leads to the farm, they run into a mysterious creature. They heave the body from the roo bar and dump it into the farm's deep well. But the voice of the injured intruder will not be stilled and, most disturbing of all, the closer Katherine is drawn to the edge of the well, the farther away she gets from Hester.' (From the publisher's website.)