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Elspeth Tilley Elspeth Tilley i(A30354 works by)
Gender: Female
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Works By

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1 3 y separately published work icon White Vanishing : Rethinking Australia’s Lost-in-the-Bush Myth Elspeth Tilley , Amsterdam New York (City) : Rodopi , 2012 Z1904391 2012 single work criticism 'The story of the vulnerable white person vanishing without trace into the harsh Australian landscape is a potent and compelling element in multiple genres of mainstream Australian culture. It has been sung in Little Boy Lost, brought to life on the big screen in Picnic at Hanging Rock, immortalized in Henry Lawson's poems of lost tramps, and preserved in the history books' tales of Leichhardt or Burke and Wills wandering in mad circles. A world-wide audience has also witnessed the many-layered and oddly strident nature of Australian disappearance symbolism in media coverage of contemporary disappearances, such as those of Azaria Chamberlain and Peter Falconio. White Vanishing offers a revealing and challenging re-examination of Australian disappearance mythology, exposing the political utility at its core. Drawing on wide-ranging examples of the white-vanishing myth, the book provides evidence that disappearance mythology encapsulates some of the most dominant and durable categories at the heart of white Australian culture, and that many of those ideas have their origin in colonial mechanisms of inequality and oppression. White Vanishing deliberately (and perhaps controversially) reminds readers that, while power is never absolute or irresistible, some narrative threads carry a particularly authoritative inheritance of ideas and power-relations through time.' Source: http://www.rodopi.nl/ (Sighted 03/12/2012).
1 Different Kinds of Doubling: Comparing Some Uses of Character Doubling in the Ghosts Trilogy, by Janis Balodis, and the Captive, by Ben Ellis Elspeth Tilley , 2012 single work criticism
— Appears in: Australasian Drama Studies , April no. 60 2012; (p. 56-70)
'Character doubling has a contested provenance in theatre studies. On the one hand, it has been identified as a way to subvert naturalisation of socialised roles, foregrounding the performativity that scholars such as Judith Butler have identified as being inherent in everyday identity practices. When actors cross ethnic, class, gender, age or other boundaries to achieve doubled or multiple characterisation within a single performance, they can effectively expose and problematise those boundaries' constructedness. Commenting on Caryl Churchill's Top Girls, for example, Bill Naismith suggests that when doubling is used, it "questions the roles that have been imposed on women, past and present. The doubling of parts by an actor can positively undermine the fixedness of roles"' Similarly, discussing postcolonial theatre, Sue-Ellen Case suggests that doubling can "foreground the fabricated roles ... colonialism creates, distancing identity from biology".' Elspeth Tilley.
1 Staging a 'Plurality of Vision' : Diasporic Performance in Polycharacter Monodrama Elspeth Tilley , 2012 single work
— Appears in: Modern Drama , Winter vol. 55 no. 4 2012; (p. 304-328)
1 A Natural(ised) Home for the Lintons : Lost Children and Indigenising Discourse in Mary Grant Bruce’s and John Marsden’s Young Adult Fiction Elspeth Tilley , 2009 single work criticism
— Appears in: Australian Studies , vol. 1 no. 1 2009;

'This article compares two 'lost child' incidents from non-indigenous Australian fiction. One is from John Marsden's Tomorrow Series, the other from Mary Grant Bruce's Billabong Series. Both series feature as their central character a young girl with the surname Linton who proves herself brave, daring, and a good friend and citizen, particularly when rescuing children lost in the bush. When the two series' lost child incidents are compared, it becomes apparent that these outward resemblances are also mirrored by some deeper discursive parallels.

An analysis of the constructions of subjectivity and spatiality around the 'lost child' events reveals closely-matching discourses of mateship and settler belonging. The comparison also foregrounds the core ideologies of gender, class, nationalism and race that in turn underpin these discourses, showing how each of these texts remains inflected with textual strategies of othering and indigenisation that are fundamental to imperialism.' (Author's abstract)

1 The Uses of Fear : Spatial Politics in the Australian White-Vanishing Trope Elspeth Tilley , 2009 single work criticism
— Appears in: Antipodes , June vol. 23 no. 1 2009; (p. 33-41)

'In the fourteenth century, cartographers depicting Terra Australis, the imagined but as yet unconfirmed southern continent, placed fearsome mythical creatures in the 'unknown spaces' on their maps. Dragons, gargoyles, and giant sea serpents both guarded and occupied the as-yet-undefined spaces of the Antipodes.'

'In contemporary Australia's dominant, non-indigenous culture, the dragons and gargoyles, and even, ostensibly, terra nullius itself, now repealed, are gone, yet ghosts of their presence and purpose remain. White Australians still populate the spaces beyond their immediate knowledge with mythical presences and imbue them with qualities of fear and menace. This article explores the role of spaces of fear in one particular white Australian narrative trope, the white-vanishing tales. This is the paradigm of recurring stories in non-indigenous Australian textuality about disappearing whites (lost children, missing explorers, vanishing tramps and drovers, etc.)'

1 y separately published work icon White Vanishing : A Settler Australian Hegemonic Textual Strategy, 1789-2006 Elspeth Tilley , Z1408578 2007 single work thesis 'This thesis conducts a discourse analysis of the 'white vanishing trope' - stories about white Australians who become lost or disappear - in white Australian texts from 1789 to 2006...[T]he white vanishing trope narrates a specific, and remarkably constant, relationship between indigenous bodies, white bodies, time, and space, in which white settlers are victims and survivors, whose occupation of Australia is constructed as inevitable and right.' - from author's abstract (p.ix)
1 1 y separately published work icon Journal of Australian Studies JAS no. 67 Elizabeth Ruinard (editor), Elspeth Tilley (editor), St Lucia : University of Queensland Press , 2001 Z795953 2001 periodical issue
1 Untitled Elspeth Tilley , 1999 single work review
— Appears in: Journal of Australian Studies , no. 62 1999; (p. 218-219)

— Review of The Country of Lost Children : An Australian Anxiety Peter Pierce , 1999 multi chapter work criticism biography
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