State and National Award-winning poet and professional narrator and storyteller, Samuel Wagan Watson has Irish, German, Dutch, and Aboriginal (Munaldjali and Birri Gubba) ancestry. He is the son of prominent Brisbane-based academic, writer and activist Sam Watson. Born in Brisbane Watson spent much of his earlier life on the fringe of the Sunshine Coast, but moved back to Brisbane to start a career.
As a contemporary poet and performer Watson has been in demand at major literary festivals and poetry events, including adaptations of his poetry into animation with the support of the Australian Film Commission. In 2005, a short documentary ‘Bound in Bitumen’ was produced and directed by filmmaker Helen Kassila, in which Watson reflected upon the historic divide of Boundary Street, West End, Brisbane in his poem ‘Last Exit to Brisbane’. This short documentary was acclaimed within the arts-festival circuit. Watson has toured as a writer and performer within Australia and overseas, and his writing has been translated into German, Norwegian, and Indonesian. In 2004, mixing his Indigenous culture with his love of Gothic horror, Watson produced and performed an opera ‘Die Dunkle Erde’ (The Dark Earth) with composers William Barton and Stephen Leek, which premiered in Brisbane in 2004 and again in 2005 at the Brisbane Music Festival.
In 2005 Watson was the poet-in-residence for the ABC TV’s ‘Sunday Arts’ and, in 2007 an artist-in-residence for the Indonesian ‘Utan Kayu’ Literary Biennale where his literary work was translated for audiences in Jakarta and central Java. In that same year, Watson first performed as a vocalist with Northern Territory artist and musician Leak Flanagan at the Newcastle National Young Writers’ Festival. Shortly after, Watson was commissioned by the Japanese Aeronautical Exploration Agency to develop haiku for the pleasure of astronauts living and working on the orbiting International Space Platform. More recent, Watson is a poet-in-residence in the community of Yarrabah in North Queensland, and has a career as a writer and script developer for 98.9FM Murri Country radio station in Brisbane.
In between writing and working on community projects, including poetry in the built environment (his poetry adorns the Eleanor Schonell bridge in St Lucia, Queensland), Watson is a regular guest speaker, workshop facilitator and mentor centering around the creative arts. (Source: UQP website; Wikipedia website; ABC website; Writers Talk 2008 website; Poetry International Rotterdam website; ABC (German Vampires and The Dreamtime) The Music Show website; Snapshot Interview: Samuel Wagan-Watson, Ainslee Meredith 2012 on-line)
'The much-anticipated new volume of poetry from the winner of the NSW Premier’s Literary Awards Book of the Year
'Samuel Wagan Watson set the literary world alight in 1999 with his David Unaipon award-winning collection of poems Of Muse, Meandering and Midnight. His next volume, Smoke Encrypted Whispers, won Book of the Year at the NSW Premier’s Literary Awards over Tim Winton.
'In this, his first new volume of poetry in nearly a decade, he once again excites, inspires and shocks. Woven into this collection is a dark, satirical take on contemporary Australia, with its acquisitiveness and materialism, Wagan Watson shows an intense political engagement. The poems are dynamic, vivid and powerful, containing the clear language of witness reminiscent of Indigenous song-writers such as Kev Carmody and Dr Yunupingu.
'Love Poems and Death Threats breaks new ground for Indigenous Australian writing and adds to Samuel Wagan Watson’s reputation as one of our most exciting poets.' (Publication summary)
'These poems pulse with the language and images of a mangrove-lined river city, the beckoning highway, the just-glimpsed muse, the tug of childhood and restless ancestors. For the first time Samuel Wagan Watson's poetry has been collected into this stunning volume, which includes a final section of all new work.' (Source: UQP website: www.uqp.uq.edu.au)
Of Muse, Meandering and Midnight2000selected work poetry 'In a voice youthful, passionate and questioning, these poems reflect on growing up and on letting go; on urban dwellers in love and lust; and on the artist and his Murri community. The politics are unguarded and often amusing, and the language is playful, rhythmic and evocative. Ghosted by ancestors and muses, Watson's cityscape interweaves past and present.' (Source: Publisher's blurb)