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Isabel Carrera-Suarez Isabel Carrera-Suarez i(A218 works by)
Gender: Female
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Works By

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1 Researching the City and Walking with Street Dwellers : Recreating Urban Encounters Past and Present Isabel Carrera-Suarez , Simone Lazaroo , 2017 single work criticism
— Appears in: Coolabah , no. 22 2017; (p. 19-32)

'The art of recreating cities imaginatively and the critical act of reading urban fiction involve processes of research and learning that often include encounters with specific cities and their dwellers, prompting reflection on the forms and ethics of such encounters. Whether carrying out historical research into the past or observation of the rapid transformation of contemporary cities, writers and critics often combine the acquisition of documentary and experiential knowledge of urban spaces. Taking two different categories of writing by Simone Lazaroo, on the one hand her texts on past relations between Singapore and Australia, and on the other her current stories on global cities after the Great Financial Crisis, we explore the processes of learning before and through representation, and the ethics of human interaction in the contact zone of the global urban where, increasingly, the world’s expelled have become street-dwellers.'

Source: Abstract.

1 The Stranger Flâneuse and the Aesthetics of Pedestrianism Isabel Carrera-Suarez , 2015 single work criticism
— Appears in: Interventions : International Journal of Postcolonial , January vol. 17 no. 6 2015; (p. 853-865)
'While the realities of the global city would seem to render the century-old, modernist figure of the flâneur (and the disputed flâneuse) obsolete, embodied citizens and narrators have stubbornly survived the change in urban environments and their imaginaries, continuing to populate novels and mediate creation and writing. These postcolonial, post-diasporic pedestrians, however, necessarily occupy a different place in the real and fictive worlds, and must be conceptualized and named differently, in keeping with modified urban discourses and genres. Looking at a selection of novels written by women in the early years of the twenty-first century (set in Toronto, Sydney, Singapore and London), this essay contends that contemporary urban, post-diasporic texts create embodied, located pedestrians, rather than detached flâneurs; such figures, exceeding the resistant walkers imagined by Michel de Certeau, are closer to what the visual critic Marsha Meskimmon proposed as ‘an aesthetics of pedestrianism’, a poetics involving the body as a site of learning and border negotiation, through which the stranger fetishism described by Sara Ahmed may be destabilized and contested.' (Publication abstract)
1 Transposing the Aboriginal Gaze : Rabbit-Proof Fence and Intertextual Mediation La traslación de la mirada aborigen: Generación Robada y la mediación intertextual Isabel Carrera-Suarez , 2010 single work criticism
— Appears in: Arbor , vol. 186 no. 741 2010; (p. 99-106)
This article analyses the film Rabbit Proof Fence in terms of the complex intertextuality, comparing with the source book Follow the Rabbit Proof Fence by Doris Pilkington-Garima, and the Bringing Them Home report.
1 Windows Onto Real and Imagined Landscapes: `The Persimmon Tree' and Women's Spaces Isabel Carrera-Suarez , Aurora Garcia Fernandez , 1995 single work criticism
— Appears in: Australia's Changing Landscapes : Proceedings of the Second EASA Conference : Sitges, Barcelona, October 1993 1995; (p. 32-37)
1 A Gendered Bush: Mansfield and Australian Drovers' Wives Isabel Carrera-Suarez , 1991 single work criticism
— Appears in: Australian Literary Studies , vol. 15 no. 2 1991; (p. 140-148)
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